Artificial Intelligence in Creative and Cultural Organizations

1. Auflage 2025
ISBN: 978-1-032-83520-4
Verlag: Taylor & Francis Ltd

Buch, Englisch, 264 Seiten, Format (B × H): 156 mm x 234 mm

Reihe: Routledge Research in the Creative and Cultural Industries

This book explores how AI is redefining the creative and cultural sectors, reshaping how content is produced, distributed, experienced, and managed. Spanning areas such as publishing, heritage, music, performance, and design, the book offers the first comprehensive, interdisciplinary examination of AI’s impact across these diverse sectors as technologies become increasingly embedded in both creative and operational processes.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Ricci, Alessandra

Massi, Marta

Prokupek, Marek

Ostillio, Maria Carmela

Fachgebiete

• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Musikindustrie
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterregie, Theaterproduktion
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Non-Profit-Organisationen, Verbände
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterleitung, Theatermanagement
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein
• Geisteswissenschaften Kunst Kunst, allgemein Kunstförderung, Mäzenatentum, Auktionen

Inhaltsverzeichnis

Foreword: Artificial Intelligence and Creativity

Chapter 1: Introduction to Artificial Intelligence in the Cultural and Creative Sectors

Chapter 2: The Voyager, the Mirror, and the Creative Act. Three Metaphors for Understanding Generative Artificial Intelligence.

Chapter 3: Artists in the Age of AI – A Typology of Human-Machine Collaborations and Associated Imaginaries.

Chapter 4: Breathing Life into AI – Querying AI through Tactile Imprints Using Breath and Sound.

Chapter 5: The Rise of “Alone Teamwork”: Unveiling the Transformations in the Creation Process of Artists Using Generative Artificial Intelligence Tools.

Chapter 6: Imagination and AI: A Socio-Technical Reading of Artists as Agents of Innovation in AI Development.

Chapter 7: Reviving Textile Heritage: AI-Driven Innovation Practices in Museum Exhibitions.

Chapter 8: Contemporary Art and Biodiversity: The Impact of Artificial Intelligence on Art Museum Collections.

Chapter 9: Mediation and Artificial Intelligence: Transdisciplinary collaboration in the AI.MAGINATION Exhibition.

Chapter 10: Navigating AI in Museums: Overcoming Barriers and Implementing Strategic Solutions.

Chapter 11: Augmenting the Stage: The Intersection Between AI and Theatre.

Chapter 12: Creating Stories with Generative AI in Film Education - The Screenwriters’ Room with Large Language Models (LLMs).

Chapter 13: Developing a Value Chain for Personalised Children’s Book with Support of Artificial Intelligence.

Chapter 14: Is This Really Disruption? An Organisational Perspective about AI in the Book Industry.

Chapter 15: Unleashing Creativity: The Powerful Duo of Artificial Intelligence and Brand Heritage.

Chapter 16: Redefining Luxury in the Age of Generative AI: Navigating Innovation and Heritage in Brand Management.

Chapter 17: How Young Adults Perceive the Prevalence of Metahuman Artists.

Chapter 18: The Adoption of Generative Ai in Video Game Production: Firm and Industry-Level Dynamics.

Afterword: Artificial Intelligence in Cultural and Creative Sectors

Über Autor(innen)

Marta Massi, PhD, is an Assistant Professor at Athabasca University, Canada. She previously held positions as Assistant Professor at Università Cattolica del Sacro Cuore and Trent University, and as Lecturer at McGill University. Her research focuses on consumer behavior, arts marketing, and branding. Her work has been published in leading journals such as Psychology & Marketing, International Journal of Market Research, Journal of Strategic Marketing, and Journal of Business & Industrial Marketing. Most recently, she edited the Routledge volume Digital Transformation in the Cultural and Creative Industries: Production, Consumption and Entrepreneurship in the Digital Economy and Sharing.

Marek Prokupek is an Assistant Professor in Arts Management at KEDGE Arts School at KEDGE Business School in France, where he is also a member of the Lab Creative Industries Culture. His research interests lie primarily in the areas of innovative business models of arts and cultural organizations, museum fundraising and philanthropy and its ethical challenges, and art market.

Alessandra Ricci is Fellow of Marketing Management at SDA Bocconi School of Management. She has previously worked as a postdoctoral research fellow at IULM University, Milan, and held teaching and research positions at Bocconi University, the University of Gastronomic Sciences in Pollenzo, and the Catholic University of the Sacred Heart of Milan. Her research focuses on the high-end sector—including artisanship, luxury, and Made-in-Italy—through the lenses of marketing, sustainability, and value creation. She also has professional expertise in cultural heritage management and tourism.

Maria Carmela Ostillio is an Associate Professor of Marketing and Sales at SDA Bocconi. She directs the Brand Academy and has led research projects in branding, marketing, and corporate communications. Her expertise includes brand management, direct marketing, and marketing information systems.