E-Book, Englisch, 240 Seiten
Reihe: Studies in Modern Drama
Prison and Captivity in Contemporary Theatre
E-Book, Englisch, 240 Seiten
Reihe: Studies in Modern Drama
ISBN: 978-1-135-88894-7
Verlag: CRC Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
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Contents
General Editor's Note
"Captive Audience": An Introduction
Part I
1. The Confessional Voice: Medea's Brutal Imagination
2. Emotional Contraband: Prison as Metaphor and Meaning in U.S. Latina Drama
3. Seeing Ethnicity: The Impact of Race and Class on the Critical Reception of Miguel Piñero's Short Eyes
Part II
4. On Prisons in the United States
5. Harold Pinter's Prison House: The Screenplay of Kafka's The Trial
6. Harold Pinter's The Handmaid's Tale: Freedom, Prison, and a Highjacked Script
7. "A World of Bodies": Performing Flesh in Marat/Sade
8. The Disposal: William Inge's Abject Drama
9. "In Dark Corners": Masculinity and Art in Tennessee Williams's Not about Nightingales
10. Physical Prisons: Naomi Wallace's Drama of Captivity
11. No Exit and Waiting for Godot: Performances in Contrast
Contributors