Buch, Englisch, 240 Seiten, Format (B × H): 162 mm x 232 mm, Gewicht: 308 g
Reihe: Studies in Modern Drama
Prison and Captivity in Contemporary Theatre
Buch, Englisch, 240 Seiten, Format (B × H): 162 mm x 232 mm, Gewicht: 308 g
Reihe: Studies in Modern Drama
ISBN: 978-0-415-76258-8
Verlag: Taylor & Francis Ltd
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Contents General Editor's Note Captive Audience: An Introduction Part I 1. The Confessional Voice: Medea's Brutal Imagination 2. Emotional Contraband: Prison as Metaphor and Meaning in U.S. Latina Drama 3. Seeing Ethnicity: The Impact of Race and Class on the Critical Reception of Miguel Piñero's Short Eyes Part II 4. On Prisons in the United States 5. Harold Pinter's Prison House: The Screenplay of Kafka's The Trial 6. Harold Pinter's The Handmaid's Tale: Freedom, Prison, and a Highjacked Script 7. A World of Bodies: Performing Flesh in Marat/Sade 8. The Disposal: William Inge's Abject Drama 9. In Dark Corners: Masculinity and Art in Tennessee Williams's Not about Nightingales 10. Physical Prisons: Naomi Wallace's Drama of Captivity 11. No Exit and Waiting for Godot: Performances in Contrast Contributors