Dromey / Haferkorn The Classical Music Industry

1. Auflage 2018
ISBN: 978-1-315-47107-5
Verlag: Taylor & Francis
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 286 Seiten

Reihe: Routledge Research in Creative and Cultural Industries Management

This volume brings together academics, executives and practitioners to provide readers with an extensive and authoritative overview of the classical music industry. The central practices, theories and debates that empower and regulate the industry are explored through the lens of classical music-making, business, and associated spheres such as politics, education, media and copyright.

The Classical Music Industry maps the industry’s key networks, principles and practices across such sectors as recording, live, management and marketing: essentially, how the cultural and economic practice of classical music is kept mobile and alive. The book examining pathways to professionalism, traditional and new forms of engagement, and the consequences of related issues—ethics, prestige, gender and class—for anyone aspiring to ‘make it’ in the industry today.

The classical music industry is a diverse and fast-changing sector that animates deep feelings. The Classical Music Industry acknowledges debates that have long encircled the sector but today have a fresh face, as the industry adjusts to the new economics of funding, policy-making and retail

The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.

Autoren/Hrsg.

Dromey, Chris

Haferkorn, Julia

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Musikindustrie
• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles

Inhaltsverzeichnis

List of Tables and Figures

Foreword

Preface

Introduction

I. Principles and Practices

1. Mapping the Classical Music Industry

2. Branding in Classical Music, Classical Music in Branding

3. Lifting the Veil on Artist Management in the Classical Sector

4. Ruptured Business Models in the Classical Record Industry

5. Classical Music Competitions Then and Now

II. Accessibility and Diversity

6. Uncertain Capital: Class, Gender and the Imagined Futures of Young Classical Musicians

7. Title tbc

8. Reimagining Classical Music Performing Organisations in an Era of Discontinuous Technological Change

9. The Orchestra as a ‘Prestige’ Economy

10. Dancing to Another Tune: Classical Music in Nightclubs and Other Non-traditional Settings

III. Challenges and Debates

11. Is Classical Music a Living or Heritage Art Form?

12. Do Classical Musicians Exist?

13. Questions of Language in Perceptions of Classical Music

14. Classical Music, Copyright and Collecting Societies: A New Settlement?

Conclusions

References

Index

Über Autor(innen)

- Dr Christopher Dromey is Associate Professor in Music at Middlesex University, UK.

- Julia Haferkorn is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK and Director of Third Ear Music Production Company.