E-Book, Englisch, 358 Seiten
Zhang / Fish / Jameson Postsocialism and Cultural Politics
1. Auflage 2008
ISBN: 978-0-8223-8893-7
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
China in the Last Decade of the Twentieth Century
E-Book, Englisch, 358 Seiten
Reihe: Post-Contemporary Interventions
ISBN: 978-0-8223-8893-7
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
A sequel to Zhang's Chinese Modernism, it discusses crucial issues in China in the 1990s including nationalism, neo-liberalism, postmodernism, nostalgia, revisionism and the intellectual formulations and cultural politics.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften Semiotik
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Asiatische Geschichte
- Sozialwissenschaften Politikwissenschaft Politische Ideologien Marxismus, Kommunismus
Weitere Infos & Material
Acknowledgments ix
Introduction: The Cultural Politics of Socialism 1
Part I. Intellectual Discourse: National and Global Determinations
1. The Return of the Political: The Making of the Post-Tiananmen Intellectual Field 25
2. Nationalism, Mass Culture, and Intellectual Strategies in the 1990s 102
3. Postmodernism and Postsocialist Society: Cultural Politics after the "New Era" 136
Part II. Literary Discourse: Narrative Possibilities of Postsocialism
4. Shanghai Nostalgia: Mourning and Allegory in Wang Anyi's Literary Production in the 1990s 181
5. Toward a Critical Iconography: Shanghai, "Minor Literature," and the Unmaking of a Modern Chinese Mythology 212
6. "Demonic Realism" and the "Socialist Market Economy": Language Game, Natural History, and Social Allegory in Mo Yan's The Republic of Wine 240
Part III. Cinematic Discourse: Universality, Singularity, and the Everyday World
7. National Trauma, Global Allegory: Construction of Collective Memory in Tian Zhuangzhuang's The Blue Kite 269
8. Narrative, Culture, and Legitimacy: Repetition and Singularity in Zhang Yimou's The Story of Qiu Ju 289
Notes 311
Bibliography 331
Index 341




