Politics as Public Art

The Aesthetics of Political Organizing and Social Movements
1. Auflage 2022
ISBN: 978-1-032-13809-1
Verlag: Taylor & Francis

Buch, Englisch, 158 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 404 g

Reihe: Routledge Advances in Theatre & Performance Studies

Politics as Public Art presents a keystone collection that pursues new frameworks for a critical understanding of the relationship between public art and protest movements through the utilization of socially engaged and choreopolitical approaches.

This anthology draws from a unique combination of interdisciplinary scholarship and activism where it integrates geographically rich perspectives from political and grassroots community contexts spanning the United States, Europe, Australia, and Southeastern Africa. The volume questions, and reimagines, not only how public art practice can be integral to politics, including forms of surveillance and control of bodily movement. It also probes into how political participation itself can be construed as a form of public artmaking for radical social change and just worlds. This collection advocates for scholar-activist inquiry into how socially engaged public art practices can pave the way for thinking through—and working toward—championing more inclusive futures and, as such, choreographing greater intersectional justice.

This book provides a wide appeal to audiences across humanities and social science scholarship, arts practice, and activism seeking conceptual and empirically informed tools for moving from public art and choreopolitical theory into modes of praxis: critical reflection and action.

Autoren/Hrsg.

Zebracki, Martin

McNeill, Z Zane

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Schauspieltechnik, Theaterpädagogik
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Geschichte des Tanzes
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturpolitik, Kulturmanagement
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Stadt- und Regionalsoziologie
• Sozialwissenschaften Politikwissenschaft Regierungspolitik Kultur-, Wissenschafts- & Technologiepolitik
• Geisteswissenschaften Kunst Kunst, allgemein
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein

Inhaltsverzeichnis

Acknowledgments

List of Contributors

Preamble

Chapter 1. Politics as Public Art: Bodies, Power, Inclusive Change

Martin Zebracki and Z. Zane McNeill

Part I: The Art of Political Movements: A Theoretical Genealogy

Chapter 2. Introduction: Emotions, Materiality, and World-Building

Joanna Krakowska

Chapter 3. A Beautiful Disruption: Extinction Rebellion’s Red [Rebel] Brigade and a Theory of Emotional Representation in Protest

Janet O’Shea

Chapter 4. Reflections on Umunthu as the Life Politics of Ozhopé

Massa Lemu

Chapter 5. Art-Making and World-Building: Arendt and the Political Potential of Socially Engaged Practices

Ashley Biser and Erin Fletcher

Part II: Bodies in Space: The Aesthetic Politics of Protest

Chapter 6. Introduction: Political Praxis, Ideology, and the Deliberately Aesthetic Body

Gregory J. Langner

Chapter 7. Bloodied Beaches, Copper Flowers: A Choreopolitical Analysis of Extinction Rebellion’s Red Rebel Brigade

Fen Kennedy

Chapter 8. "Racism Lives Here": Queering the Neoliberal University Campus through Choreopolitical Antiracist Activism

A.F. Lewis and Kelcea Barnes

Chapter 9. Exploring the Role of the Disabled Body as a Vehicle and Art Form within Anti-Austerity Protest

Angharad Butler-Rees and Bree Hadley



EPILOGUE

Chapter 10. Entanglement and Choreopolitical Thought

Thomas F. DeFrantz



Index

Über Autor(innen)

Martin Zebracki is Associate Professor of Critical Human Geography, University of Leeds, UK, and has published widely across public art, sexuality, digital culture, and social inclusivity. Zebracki is editor of the Routledge anthologies Public Art Encounters (with Joni M. Palmer; 2017) and The Everyday Practice of Public Art (with Cameron Cartiere; 2016) and editorial board member of Public Art Dialogue.

Z. Zane McNeill is an independent scholar-activist who has written on queer and trans feminisms in contemporary performance, queer of color critique, and quare studies and politichoreography. They are currently an advisory board member for the University Press of Kentucky Book Series Appalachian Futures: Black, Native & Queer Voices.