Yudkin The New Beethoven

Evolution, Analysis, Interpretation
1. Auflage 2020
ISBN: 978-1-78744-812-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 172, 572 Seiten

Reihe: Eastman Studies in Music

Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.

Autoren/Hrsg.

Yudkin, Jeremy

Weitere Mitwirkende

Gosman, Alan

Barry, Barbara

Cooper, Barry

Adolphe, Bruce

Reynolds, Christopher

Levy, David

Jones, David Wyn

Sisman, Elaine

Buurman, Erica

Rovelli, Federica

McGrann, Jeremiah

Yudkin, Jeremy

Turner, M. Lucy

Bonds, Mark Evan

Ladenburger, Michael

Kitchen, Nicholas

Kramer, Richard

Wallace, Robin

Burnham, Scott

Whiting, Steven Moore

Albrecht, Theodore

Kinderman, William

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Preface - Jeremy Yudkin
Introduction - Jeremy Yudkin
PART ONE: A Creative Life
Of Deserters and Orphans: Beethoven's Early Exposure to the Opéras-comiques of Monsigny - Steven Moore Whiting
"A really excellent and capable man": Beethoven and Johann Traeg - David Wyn Jones
A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven's Circle of Friends in Bonn, and a Corrected Edition of the Song Ruf vom Berge, WoO 147 - Michael Ladenburger
"Where Thought Touches the Blood": Rhythmic Disturbance as Physical Realism in Beethoven's Creative Process - Bruce Adolphe
The Sanctification of Beethoven in 1828 - Christopher Reynolds
PART TWO: Prometheus/"Eroica"
The Prometheus Theme and Beethoven's Shift from Avoidance to Embrace of Possibilities - Alan Gosman
Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity - William Kinderman
'Mit Verstärkung des Orchesters': The Orchestra Personnel at the First Public Performance of Beethoven's Eroica - Theodore Albrecht
PART THREE: Masses
"Aber lieber Beethoven, was haben Sie denn wieder da gemacht?": Observations on the Performing Parts for the Premiere of Beethoven's Mass in C, Op. 86? - Jeremiah McGrann
Heart to Heart: Beethoven, Archduke Rudolph, and the Missa Solemnis - Mark Evan Bonds
God and the Voice of Beethoven - Scott Burnham
PART FOUR: Quartets
'So Here I Am, in the Middle Way': The Autograph of the "Harp" Quartet and the Expressive Domain of Beethoven's Second Maturity - M. Lucy Turner
Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 - Nicholas Kitchen
The Autograph Score of the Slow Movement of Beethoven's Last Quartet, Op. 135 - Barry Cooper
Early German-Language Reviews of Beethoven's Late String Quartets - Robin Wallace
PART FIVE: Explorations
Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas - Erica Buurman
Utopia and Dystopia Revisited: Contrasted Domains in Beethoven's Middle-Period F-Major and F-minor Works - Barbara Barry
Schooling the Quintjäger - David Levy
Cue-Staff Annotations in Beethoven's Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Op. 101 - Federica Rovelli
'Another Little Buck out of Its Stable' - Richard Kramer
Beethoven's Cavatina, Haydn's Seasons, and the Thickness of Inscription - Elaine Sisman

Über Autor(innen)

Yudkin Jeremy:
JEREMY YUDKIN is Professor of Music and Co-Director of the Center for Beethoven Research at Boston University.Yudkin Jeremy:
JEREMY YUDKIN is Professor of Music and Co-Director of the Center for Beethoven Research at Boston University.Albrecht Theodore:
THEODORE ALBRECHT, Professor Emeritus of Music at Kent State University, Ohio, is an award-winning Beethoven scholar. He has authored many important articles on the composer and is the editor of Letters to Beethoven and Other Correspondence (1996) as well as translator and editor of Beethoven's Conversation Books (Boydell Press).