Music Theory in the Safavid Era

The taqsim al-nagamat
1. Auflage 2018
ISBN: 978-1-138-06243-6
Verlag: Taylor & Francis Ltd

Buch, Englisch, 448 Seiten, Format (B × H): 242 mm x 165 mm, Gewicht: 892 g

Reihe: SOAS Studies in Music

The Safavid era (1501–1722) is one of the most important in the history of Persian culture, celebrated especially for its architecture and art, including miniature paintings that frequently represent singers and instrumentalists. Their presence reflects a sophisticated tradition of music making that was an integral part of court life, yet it is one that remains little known, for the musicological literature of the period is rather thin. There is, however, a significant exception: the text presented and analysed here, a hitherto unpublished and anonymous theoretical work probably of the middle of the sixteenth century. With a Sufi background inspiring the use of the nay as a tool of theoretical demonstration, it is exceptional in presenting descriptive accounts of the modes then in use and suggesting how these might be arranged in complex sequences. As it also gives an account of the corpus of rhythmic cycles it provides a unique insight into the basic structures of art-music during the first century of Safavid rule.

Autoren/Hrsg.

Wright, Owen

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikethnologie

Inhaltsverzeichnis

1. Introduction

2. Fragments

3. Modes

4. Combinations

5. Retrospect 1

6. Conclusions

7. Rhythm

8. Retrospect 2

9. Prospect 1

10. Formal interlude

11. Prospect 2

12. Text

13. Bibliography

Über Autor(innen)

Owen Wright is Emeritus Professor of Musicology of the Middle East at the School of Oriental and African Studies, University of London.