Memento Mori in Contemporary Art

Theologies of Lament and Hope
1. Auflage 2019
ISBN: 978-0-367-02956-2
Verlag: Routledge

Buch, Englisch, 258 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 558 g

Reihe: Routledge Studies in Theology, Imagination and the Arts

This book explores how four contemporary artists—Francis Bacon, Joseph Beuys, Robert Gober, and Damien Hirst—pursue the question of death through their fraught appropriations of Christian imagery. Each artist is shown to not only pose provocative theological questions, but also to question the abilities of theological speech to adequately address current attitudes to death.

When set within a broader theological context around the thought of death, Bacon’s works invite fresh readings of the New Testament’s narration of the betrayal of Christ, and Beuys’ works can be appreciated for the ways they evoke Resurrection to envision possible futures for Germany in the aftermath of war. Gober’s immaculate sculptures and installations serve to create alternative religious environments, and these places are both evocative of his Roman Catholic upbringing and virtually haunted by the ghosts of his excommunication from that past. Lastly and perhaps most problematically, Hirst has built his brand as an artist from making jokes about death.

By opening fresh arenas of dialogue and meaning-making in our society and culture today, the rich humanity of these artworks promises both renewed depths of meaning regarding our exit from this world as well as how we might live well within it for the time that we have. As such, it will be a vital resource for all scholars in Theology, the Visual Arts, Material Religion and Religious Studies.

Autoren/Hrsg.

Worley, Taylor

Fachgebiete

• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Religiöse Themen
• Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Theologie
• Geisteswissenschaften Christentum, Christliche Theologie Christentum/Christliche Theologie Allgemein

Inhaltsverzeichnis

Chapter 1. Introduction: Theologies of Death in Contemporary Art Chapter 2. Love and Death: Francis Bacon’s Crucifixions Chapter 3. Life after Death: Joseph Beuys’ Re-enchantment of Art Chapter 4. Fearing Death: Robert Gober’s False Blasphemy Chapter 5. Laughing at Death: The Grim Comedy of Damien Hirst Chapter 6. Conclusion: Living Death

Über Autor(innen)

Taylor Worley is Associate Professor of Faith and Culture at Trinity International University, USA. His scholarly projects center on theological explorations in the visual arts and film. He has co-edited three books including, Contemporary Art and the Church (2017), Dreams, Doubt, and Dread (2016) and Theology, Aesthetics, and Culture (2012).