The Other Kang Youwei

Calligrapher, Art Activist, and Aesthetic Reformer in Modern China
Erscheinungsjahr 2015
ISBN: 978-90-04-29950-4
Verlag: Brill

Buch, Englisch, Band 4, 272 Seiten, Format (B × H): 197 mm x 256 mm, Gewicht: 1028 g

Reihe: Modern Asian Art and Visual Culture

The Other Kang Youwei is the first in-depth study of the art historical importance of Kang Youwei (1858-1927). The most prominent constitutional monarchist who served as Emperor Guangxu’s advisor during the Hundred Days Reform of 1898, he has been discussed in previous scholarship largely as a political figure. Less well known are his achievements in calligraphy and calligraphy theory (he wrote the most comprehensive and widely-read guide to the Stele School in his day), as well as his efforts in making art a powerful instrument for national transformation. He advocated East-West synthesis, especially the adoption of Renaissance plasticity and Song Dynasty-style verisimilitude. This book evaluates his extensive and controversial impact on pictorial realism in a variety of genres: human figures, horses, landscapes, and bird-and-flower subjects (the last developing in close step with Japanese trends). Besides providing an objective assessment of his legacy in the art world, The Other Kang Youwei offers a rare integrated treatment of Chinese calligraphy, painting, and art theory of the twentieth century.

Autoren/Hrsg.

Wong, Aida Yuen

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert
• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Kunst Kunst, allgemein Einzelne Künstler: Biographien, Monografien
• Geisteswissenschaften Kunst Kunststile Asiatische Kunst

Über Autor(innen)

Aida Yuen Wong, Ph.D. (1999), Columbia University, is Associate Professor of Asian Art at Brandeis University, U.S.A. Among her many publications are Parting the Mists: Discovering Japan and the Rise of National-Style Painting in Modern China (2006) and the edited volume Visualizing Beauty: Gender and Ideology in Modern East Asia, ca. 1900-1940s (2012).