Complicite, Theatre and Aesthetics

From Scraps of Leather
Softcover Nachdruck of the original 1. Auflage 2016
ISBN: 978-3-319-81513-8
Verlag: Springer International Publishing

Buch, Englisch, 246 Seiten, Previously published in hardcover, Format (B × H): 148 mm x 210 mm, Gewicht: 3401 g

This book presents a pioneering critical study of Complicite’s work throughout the years. Drawing on an extensive overview of the available research material – including interviews, manuscripts and the company’s own archive – the book is framed within a clearly defined research perspective and explores the singularity of theatre communication. The book results from an encounter between the London-based – but cosmopolitan in scope – company, and a fresh application of the form-oriented scholarship of Eastern Europe, Yuri Lotman’s semiosphere in particular. Focused on the aesthetics of Complicite, this study achieves a critical distance and undertakes multidimensional scrutiny of the available research material. By identifying  the  principles of Complicite’s aesthetics, the book attempts to grasp the company’s  artistic paradigm. It focuses on ways of creating, preserving, and decoding meanings, rather than on the nuances of performance or contextual issues.

Zielgruppe

Research

Autoren/Hrsg.

Wi¿niewski, Tomasz

Wisniewski, Tomasz

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik

Inhaltsverzeichnis

Introduction.- Chapter 1. The artistic signature of Simon McBurney.- Chapter 2. The logic of the plot in Théâtre de Complicité.- Chapter 3. The world of the stage.- Chapter 4. The textual tissue of Theatre de Complicite.- Chapter 5. The aesthetics of Complicite.- Chapter 6. Kaleidoscopic fragmentariness.- Chapter 7. The Ongoing Narrative.

Über Autor(innen)

Dr Tomasz Wisniewski works at the University of Gdansk, Poland. He is a co-founder of the Between.Pomiedzy Festival, and the founder of the Beckett Research Group in Gdansk. He has published a monograph on Samuel Beckett, co-edited ten academic publications, and published articles on theatre and literature, in Poland, France, UK, Austria, Brazil and the USA. He is a member of the editorial board of the literary quarterly Tekstualia.