They Live

Erscheinungsjahr 2014
ISBN: 978-0-231-17211-0
Verlag: Columbia University Press

Buch, Englisch, 128 Seiten, Print PDF, Format (B × H): 110 mm x 175 mm, Gewicht: 123 g

Reihe: Cultographies

Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape.

Autoren/Hrsg.

Wilson, D

Wilson, D. Harlan

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

AcknowledgementsIntroduction: The Becoming-Piper1. The Cult of the Eighties2. Wake-Up Call3. Reel Politik4. Through a Pair of Cheap Sunglasses Darkly5. The Pathological Unconscious6. LegaciesNotesBibliographyIndex

Über Autor(innen)

D. Harlan Wilson is a professor of English at Wright State University.