Wilkins | Authenticity and Adaptation | Buch | 978-3-031-78891-8 | sack.de

Buch, Englisch, 234 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 436 g

Reihe: Palgrave Studies in Adaptation and Visual Culture

Wilkins

Authenticity and Adaptation

Buch, Englisch, 234 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 436 g

Reihe: Palgrave Studies in Adaptation and Visual Culture

ISBN: 978-3-031-78891-8
Verlag: Springer Nature Switzerland


This collection seeks to explore what authenticity means in the context of adaptation, whether there is such a thing as an authentic adaptation, and what authenticity can offer for adaptation. It does so through four specific sections, each thinking through related questions raised by the theme. By outlining theoretical approaches to authenticity, querying authorship’s relationship to adaptation, the role of medium, and the place or value of the audience, this collection brings together a holistic perspective of authenticity that will intervene in the contemporary debates within adaptation. Authenticity’s increasing importance in the zeitgeist filters through to adaptation, yet it is something that has not been explicitly debated or discussed within the field. As such, this collection both highlights and attempts to fill a gap in scholarship.

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Chapter 1: Introduction.- Chapter 2: Authentic Adaptation.- Chapter 3: The Book of Lindelof: Authorship and Identity in and .-Chapter 4: “I have looked upon all that the universe has to hold of horror”: The authentic Lovecraftian image in film and television.- Chapter 5: ‘It’s not a Star Wars reference’: Searching for Shakespearean Authenticity and Adaptation in the Marvel Cinematic Universe.- Chapter 6: Authorial Authenticity and Adaptation in Abbas Kiarostami’s .-Chapter 7: The “new depthiness” of Hamlet in Lockdown Digital Performance.- Chapter 8: Medium, Mental Illness, and Experience: .- Chapter 9: “Some of which actually happened”: (2018) and the Dual Fidelities of Adapting Nonfiction.- Chapter 10: Tales of Girlhood: embodiment and authenticity in (2022) and (2022).- Chapter 11: Authenticity, Adaptive Memory, and the Reinvention of Mark Twain’s (1884).- Chapter 12: Never the Last Word: What Definitive Adaptations Can Teach Us about the News.


Christina Wilkins is a lecturer at University of Birmingham, UK


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