The Music of Harry Potter and The Lord of the Rings

Sounds of Home in the Fantasy Franchise
1. Auflage 2024
ISBN: 978-1-032-03414-0
Verlag: Routledge

Buch, Englisch, 222 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 505 g

Reihe: Ashgate Screen Music Series

The Music of Harry Potter and The Lord of the Rings provides an in-depth study of the music of two of the biggest fantasy franchises, focussing on music’s worldbuilding roles within the film-watching experience and elsewhere in videogames, trailers, plays, theme parks and other attractions, and the world of fandom.

Daniel White takes a range of approaches and techniques of motivic and thematic musical analysis, and pairs this with transformational harmonic analysis to theorise music’s worldbuilding roles in film. Chapters focus in turn on the opening sequences of the case study franchise films, their closing sequences, and on their depiction of houses, homes and homelands. Extra-filmic areas of these fantasy worlds are also explored, including theme parks and other tourist attractions of the Harry Potter franchise, videogames and the immersive power of their music, and the world of fandom with a focus on soundtrack consumption and other musical fan practices. Through this multifaceted approach, readers gain a deeper understanding not only of the music of these franchises, but also of music’s power in the multimedia franchise both within and without film to build a home that attracts inhabitants. This book will be valuable for academics and students as well as fans of fantasy franchises.

Zielgruppe

Postgraduate and Undergraduate Advanced

Autoren/Hrsg.

White, Daniel

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Geisteswissenschaften Musikwissenschaft Musikgattungen

Inhaltsverzeichnis

Introduction: Home is Behind, the World Ahead - Fantasy, Franchises and Film Music

1. The Creation of Musical Worlds: Suture in Opening Sequences

2. Homeward Bound: Desuture in Closing Sequences and Credit Songs

3. Musical Homes and their Inhabitation

4. Trips to Enchantment: Recreating Magic and Wonder at Harry Potter Tour Sites

5. Sonic Immersion: Affect, Literacy and Interaction in Game Music

6. Fan Practices/Fan Products

Conclusion: Home From Home

Über Autor(innen)

Daniel White is Senior Lecturer in Musicology at the University of Huddersfield, where he teaches on music for film, game and media. He has published widely on musical worldbuilding and fantasy film, and his research interests also include minimalism, transmedia music and the music of children’s media.