Bertolt Brecht`s Dramatic Theory

Erscheinungsjahr 2004
ISBN: 978-1-57113-076-1
Verlag: Camden House

Buch, Englisch, 358 Seiten, Format (B × H): 162 mm x 237 mm, Gewicht: 720 g

Reihe: Studies in German Literature Linguistics and Culture

As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts -- "Verfremdungseffekte" (de-familiarization devices) and epic theater, among others -- were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of "epic" presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous.

John J. White is Emeritus Professor of German and Comparative Literature at King's College London.

Autoren/Hrsg.

White, John J.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Gattungen
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Literaturwissenschaft Deutsche Literatur

Inhaltsverzeichnis

Introduction
Epic Opera and Epic Theater: "Anmerkungen zur Oper Aufstieg und Fall der Stadt Mahagonny" (1930)
Conceptualizing the Exile Work: "nicht-artistotelisches Theater," "Verfremdung," "Historisierung"
The Dramaturgical Poems and Their Contexts
Preparations for East Berlin: Kleines Organon für das Theater (1948)
"Viel Theorie in Dialogform": The Messingkauf project (1939-1956)
Works Consulted
Index