Westwell Parallel Lines

Post-9/11 American Cinema
1. Auflage 2014
ISBN: 978-0-231-85072-8
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 240 Seiten, Format (B × H): 152 mm x 229 mm

Describes how post-9/11 cinema, from Spike Lee’s 25th Hour (2002) to Kathryn Bigelow’s Zero Dark Thirty (2012), relates to different, and competing, versions of US national identity in the aftermath of the September 11th terrorist attacks

Autoren/Hrsg.

Westwell, Guy

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Acknowledgements
Introduction
Uncertainty
Unity
Conspiracy
The Return to Ground Zero
The End of the World
The September 11 Syndrome
Torture
The Iraq War
History
Notes
Filmography
Bibliography
Index

Über Autor(innen)

Guy Westwell is Senior Lecturer in Film Studies at Queen Mary, University of London. He is the author of War Cinema: Hollywood on the Front Line (2006) and co-author of The Oxford Dictionary of Film Studies (2012).