Portraiture

Erscheinungsjahr 2004
ISBN: 978-0-19-284258-9
Verlag: Oxford University Press

Buch, Englisch, 256 Seiten, Format (B × H): 170 mm x 240 mm, Gewicht: 615 g

Reihe: Oxford History of Art

This fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context.

Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to ordinary people. In the process, she shows us how to communicate with the past in an exciting new way.

Zielgruppe

The general reader with an interest in the history of art, and portraiture in particular, students of art history, social history, and gallery-goers.

Autoren/Hrsg.

West, Shearer (Professor of Art History

West, Shearer

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Malerei: Gemälde
• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Menschen, Häusliches Umfeld
• Geisteswissenschaften Kunst Kunstgeschichte
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Philosophie Ästhetik

Über Autor(innen)

Shearer West is Professor of Art History at the University of Birmingham. Her books include Chagall (Bison, 1990), The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble (Pinter, 1991), The Visual Arts in Germany 1890-1940 (Manchester UP, 2000), and Fin de Si^e'cle: Art and Society in an Age of Uncertainty (Overlook, 1993). She is also the editor of The Bloomsbury Guide to Art (Bloomsbury, 1996).