Wertenbaker | Credible Witness | E-Book | sack.de
E-Book

E-Book, Englisch, 80 Seiten

Wertenbaker Credible Witness


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ISBN: 978-0-571-31848-3
Verlag: Faber & Faber
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 80 Seiten

ISBN: 978-0-571-31848-3
Verlag: Faber & Faber
Format: EPUB
Kopierschutz: 6 - ePub Watermark



A young man flees to a distant land and vanishes. His mother follows, certain she will find him, but in this unfamiliar place all certainties seem to crumble. In this story of love and loss, Wertenbaker explores passions simmering in contemporary Britain: the longing for identity, the despair of fragmentation and the fragile hopes of lives redefined. Credible Witness premiered at the Jerwood Theatre Upstairs of the Royal Court, London, 2001

Timberlake Wertenbaker's plays include New Anatomies (ICA, London, 1982), Abel's Sister (Royal Court Theatre Upstairs, 1984), The Grace of Mary Traverse (Royal Court), which won the Plays and Players Most Promising Playwright Award in 1985, Our Country's Good (Royal Court and Broadway), winner of the Laurence Olivier Play of the Year Award in 1988 and the New York Drama Critics' Circle Award for Best New Foreign Play in 1991, The Love of the Nightingale (RSC's Other Place), which won the 1989 Eileen Anderson Central TV Drama Award, Three Birds Alighting on a Field (Royal Court), which won the Susan Smith Blackburn Award, Writers' Guild Award and London Critics' Circle Award in 1992, The Break of Day (Out of Joint production, Royal Court and tour, 1995), After Darwin (Hampstead Theatre, 1998), The Ash Girl (Birmingham Rep, 2000), Credible Witness (Royal Court, 2001), Galileo's Daughter (Theatre Royal, Bath, 2004), Arden City (NT Connections, 2008) and The Line (Arcola Theatre, 2009). She has written the screenplay of The Children, based on the novel by Edith Wharton, and a BBC2 film entitled Do Not Disturb. Translations and adaptations include Marivaux's La Dispute, Jean Anouilh's Leocadia, Maurice Maeterlinck's Pelleas and Melisande for BBC Radio, Ariane Mnouchkine's Mephisto, adapted for the RSC in 1986, Sophocles's The Theban Plays (RSC, 1991), Euripides' Hecuba (ACT, San Francisco, 1995; BBC Radio 3, 2001) and Hippolytus (Riverside Studios, 2009), Eduardo de Filippo's Filumena (Peter Hall Company at the Piccadilly Theatre, 1998), Pirandello's Come tu mi vuoi, Gabriela Preissova's Jenufa (Arcola Theatre, 2008) and Racine's Brittanicus (Wilton's Music Hall, 2011).
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