Wells-Lassagne / Aymes Adaptation and Illustration

New Cartographies
1. Auflage 2024
ISBN: 978-3-031-32134-4
Verlag: Springer International Publishing
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 277 Seiten, eBook

Reihe: Progress in Mathematics

This collection examines the relationship between illustration and adaptation from an intermedial and transcultural perspective. It aims to foster a dialogue between two fields that co-exist without necessarily acknowledging advances in each other’s domains, providing an argument for defining illustration as a form of adaptation, as well as an intermedial practice that redefines what we mean by adaptation. The volume embraces both a specific and an extended definition of illustration that accounts for its inclusion among the web of adaptive practices that developed with the rise of new media and intermediality. The contributors explore how crossovers may contribute to reappraise their objects, and rely on a transmedial and interdisciplinary corpus exploring the boundaries between illustration and other media such as texts, graphic novels, comics, theatre, film and mobile applications. Arguably adaptation, like intermediality, is an umbrella term that covers a variety of practices and products, and both of them have been shaped by intense debates over their boundaries and internal definitions. Illustration belongs to each of these areas, and this volume proposes insight into how illustration not only relates to adaptation and intermediality but how each field is redefined, enriched and also challenged by such interactions.

Zielgruppe

Research

Autoren/Hrsg.

Wells-Lassagne, Shannon

Aymes, Sophie

Inhaltsverzeichnis

INTRODUCTION.-PART 1: INTERACTIONS AND EXPANDED FIELDS.- CHAPTER 1 Dave McKean: “One plus one equals three”.- CHAPTER 2 Kate Newell: “Illustration and Adaptation in the Balbussos’ 
Pride and Prejudice
 (2013)
 
and 
The Handmaid’s Tale 
(2012)”.- CHAPTER 3 Kamilla Elliott, “Ad-app-tive illustration: 
Alice for the iPad
”.-PART 2: AFTERLIVES.- CHAPTER 4    Nathalie Collé, “‘[T]o mix colours for painters’ and illustrate and adapt 
Gulliver’s Travels
 worldwide: street murals, adaptability and transmediality”.- CHAPTER 5Ann Lewis, “Adapting Novel Illustration for the Almanac: Text/Image Relations in Chodowiecki’s Illustrations for Rousseau’s 
Julie
”.- CHAPTER 6 Chris Louttit, “‘Alternative Dickens’: The Graphic Adaptation of the Inimitable in 
The New Yorker
”.-PART 3: BEYOND ILLUSTRATION.- CHAPTER 7David Pinho Barros, “Drawing from Ozu: An intermedialconsideration on clear line illustrations based on clear line film frames”.- CHAPTER 8 Julie LeBlanc, “Ekphrasis, illustration and adaptation: Annie Ernaux’s intermedial autobiographic and photographic production”.- CHAPTER 9Hélène Martinelli, “The ‘Great Image-Maker’ or the animation of illustrations in Karel Zeman’s 
Deadly Invention
”.-PART 4: ILLUSTRATION AND TRANSCULTURAL ADAPTATION.- CHAPTER 10 Carol Adlam,
 
“
The Bobrov Affair
: Creating a Graphic Novel Adaptation of a ‘Lost’ Russian-Empire Crime Novel”.- CHAPTER 11  Xavier Giudicelli, “Adapting, Translating, Illustrating: French
 Ballads of Reading Gaol
 in Word and Image”.- CHAPTER 12  Miriam Vieira, “What if the Grimms had been born in Brazil? The case of (illustrated) adaptations”.- CHAPTER 13 Camila Augusta Pires de Figueiredo: “The transcultural adaptation of 
The Little Prince
 to Brazilian cordel literature”.

Über Autor(innen)

Shannon Wells-Lassagne 
has worked extensively on film and television adaptation. She is the author of 
Television and Serial Adaptation
, and the editor of 
Adapting Margaret Atwood 
(Palgrave), 
Adapting Endings
, as well as of special issues of 
The Journal of Screenwriting
, 
Interfaces
, and 
TV/Series
, 
Screen 
and
 Series
. 
Sophie Aymes
 works on intermediality, modernist book history and illustration in 20th-century Britain. She has co-edited several word-and-image journal issues (in
Interfaces 
and 
Image [&] Narrative
), volumes on illustration (series 
Book Practices and Textual Itineraries
), and a collection on 
Art and Science in Word and Image
.