E-Book, Englisch, 268 Seiten
ISBN: 978-1-78204-137-5
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
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Weitere Infos & Material
Introduction: Approaches to Word-Music Studies of the Long Nineteenth Century - Phyllis Weliver and Katharine Ellis
Losing Sense, Making Music: What Erik Satie's Music and Poetry do for Each Other - Peter Dayan
Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera - Cormac Newark
New Expectations: How to Listen to Sonata Form, 1800-1860 - Jon-Tomas Godin
The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past - Shafquat Towheed
Musical Listening in The Mysteries of Udolpho - Noelle Chao
Katherine Mansfield and Nineteenth-Century Musicality - Delia da Sousa Correa
E.T.A. Hoffmann Beyond the 'Paradigm Shift': Music and Irony in the Novellas 1815-1819 -
Fiction as Musical Critique: Virginia Woolf, The Voyage Out and the Case of Wagner - Emma Sutton
Théodore de Banville and the Mysteries of Song - David Evans
Performing Poetry as Music: How Composers Accept Baudelaire's Invitation to Song - Helen Abbott
The Grit in the Oyster, or How to Quarrel with a Poet - Susan Youens
Afterword: Wording Notes: Musical Marginalia in the Guise of an Afterword - Annegret Fauser