Spy Fiction, Spy Films and Real Intelligence

Erscheinungsjahr 1991
ISBN: 978-0-7146-3411-1
Verlag: Routledge

Buch, Englisch, 236 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 540 g

Reihe: Studies in Intelligence

This book won the Canadian Crime Writers' Arthur Ellis Award for the Best Genre Criticism/Reference book of 1991. This collection of essays is an attempt to explore the history of spy fiction and spy films and investigate the significance of the ideas they contain. The volume offers new insights into the development and symbolism of British spy fiction.

Autoren/Hrsg.

Wark, Wesley K.

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Sozialwissenschaften Politikwissenschaft Internationale Beziehungen Nachrichtendienste, Geheimdienste

Inhaltsverzeichnis

Introduction, Wesley K. Wark; Chapter 1 Secret Negotiations, Christine Bold; Chapter 2 The Politics of Adventure in the Early British Spy Novel, David Trotter; Chapter 3 Decoding German Spies, Nicholas Hiley; Chapter 4 English Spy Thrillers in the Age of Appeasement, Eric Homberger; Chapter 5 Ireland in Spy Fiction, Keith Jeffery, Eunan O’Halpin; Chapter 6 Our Man in Havana, Their Man in Madrid, Denis Smyth; Chapter 7 The Development of the Espionage Film, Alan R. Booth; Chapter 8 Ethics and Spy Fiction, J.J. Macintosh; Chapter 9 Spy Fiction and Terrorism, Philip Jenkins; Chapter 10 Why I Write Spy Fiction, John Starnes; Chapter 11 Critical Afterthoughts and Alternative Historico-Literary Theories, D. Cameron Watt;

Über Autor(innen)

Wesley K. Wark