Global Literature and the Digital

1. Auflage 2026
ISBN: 978-1-032-49659-7
Verlag: Taylor & Francis Ltd

Buch, Englisch, 194 Seiten, Format (B × H): 156 mm x 234 mm

Reihe: Global Literature

Global Literature and the Digital analyzses the continued impact of the digital revolution upon contemporary literature. From the vantage of the 2020s, global literature possesses a digital sensibility where reality and perceptions are shaped by digital saturation and global networks. Time becomes on-demand and space seems to contract as we engage beyond national borders.

The book explores the influence of the digital: from the emergence of digital culture in the 1990s amid mediatization and interactivity, to the predominance of social media platforms in the 2000s and the rise of screen surveillance, to the more inclusive internet of the 2010s where digitally shared literatures promote ‘influencer’ writers from the Global South, shrinking the digital divide, to the 2020s, where post-digital norms render users complaisant to digital exploitation and the new crisis of AI. It discusses literature from over 30 countries across diverse literary forms including novels, poetry, nonfiction, blog fiction, AI-generated texts, videogames, and more.

As society struggles to process the rapid changes borne of our digital realities, Global Literature and the Digital asks whether nostalgia and distain for globalization hinders our potential to imagine a positive digitally enabled globalism, that calls for regulation, global justice, and solidarity. This comprehensive resource is an essential read for students and researchers of globalization, global literature, and digital humanities.

Zielgruppe

Academic, Postgraduate, and Undergraduate Advanced

Autoren/Hrsg.

Wansbrough, Aleks

Schetrumpf, Tegan

Dwivedi, Om Prakash

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft

Inhaltsverzeichnis

Introduction

1. This Just In: Mediatization and Rise of the Digital

2. Through a Digital Lens: Perception and Surveillance of Digital Worlds

3. From Print to Pixels: Digital Texts and Interactive Media

4. A Post-Apocalyptic Future? AI and the Post-digital

Conclusion: Documenting a Digital Crisis?

Index

Über Autor(innen)

Tegan Schetrumpf is an independent scholar of poetic formalism from the Renaissance to the digital, published in Meanjin, Antipodes, and Feeding the Ghost: Criticism on Contemporary Australian Poetry (2018). She is Creative Editor for Alterity Studies and World Literature and Reviews Editor for Critical South Asian Studies.

Aleks Wansbrough, PhD, is a cultural theorist who teaches screen and art theory at the University of Sydney, Australia, and is the author of Capitalism and the Enchanted Screen: Myths and Allegories in the Digital Age (2020) and co-editor of Fractured Narratives and Pandemic Identities: COVID-19, the (Post) Apocalyptic, the Dystopic, and the Postcolonial (2024).

Om Prakash Dwivedi is Professor of English and Director of Liberal Arts and Humanities at Chandigarh University, Uttar Pradesh, India and Adjunct Professor at Alma Mater Europaea University, Slovenia. He helped judge the Sahitya Akademi Award for Translation in 2023. His latest publication is the co-edited Ecocritical Explorations of the Climate Crisis: Planetary Precarity and Future Habitability (2024).