Buch, Englisch, 260 Seiten, Format (B × H): 245 mm x 174 mm, Gewicht: 480 g
Voices from Below
Buch, Englisch, 260 Seiten, Format (B × H): 245 mm x 174 mm, Gewicht: 480 g
Reihe: Routledge Research in Art and Politics
ISBN: 978-1-032-09344-4
Verlag: Taylor & Francis
This book provides an in-depth and thematic analysis of socially engaged art in Mainland China, exploring its critical responses to and creative interventions in China’s top-down, pro-urban, and profit-oriented socioeconomic transformations. It focuses on the socially conscious practices of eight art professionals who assume the role of artist, critic, curator, educator, cultural entrepreneur, and social activist, among others, as they strive to expose the injustice and inequality many Chinese people have suffered, raise public awareness of pressing social and environmental problems, and invent new ways and infrastructures to support various underprivileged social groups.
Zielgruppe
Postgraduate and Undergraduate
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Kunst, allgemein
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Asiatische Geschichte
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
- Geisteswissenschaften Kunst Kunststile Asiatische Kunst
Weitere Infos & Material
Introduction: Voices from Below: the Potential of Art Activism Part I: Social Criticism through Art 1. Art Criticism, Exhibition, and Citizen Politics: Wang Nanming and the Theory of Critical Art 2. Waste, Pollution, and Grassroots Environment Activism: Wang Jiuliang and the Art of Documenting Part II: Place Construction with Art 3. Art, Urban Renewal / Cultural Heritage Conservation, and Grassroots Community Building: Zheng Dazhen and the Maker of Lifestyle 4. Art and Place-Making for the People: Zuo Jing and the Trilogy of Rural Reconstruction Part III: Personal Development in Art 5. From Representation to Collaboration: Wen Fang and Her Poverty Alleviation Art 6. The Nurture Effect: Hu Jianqiang, Wang Jun and Art for Children Conclusion: Art and the Right to Bottom-up Social Changes