Durational Cinema

A Short History of Long Films
1. Auflage 2022
ISBN: 978-3-030-76094-6
Verlag: Springer International Publishing

Buch, Englisch, 289 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 396 g

Reihe: Experimental Film and Artists’ Moving Image

This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol’s durational cinema of subtraction is quite different from Jacobs’s durational cinema of socialdisgust, while Lav Diaz’ durational sublime is quite different from Kevin Jerome Everson’s unblinking studies of African-American working people.

Zielgruppe

Research

Autoren/Hrsg.

Walsh, Michael

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst

Inhaltsverzeichnis

1. Introduction.- 2. The New York Avant-Garde of the 1960s.- 3. European Art Cinema in the Years After 1968.- 4. Gallery and Museum Spaces Since the 1990s.- 5. Durational Documentary.

Über Autor(innen)

Michael Walsh was born in London of Irish immigrant parents and educated at Sussex, UK, and Buffalo, USA. He has chaired Cinema Departments at Binghamton University, USA, and University of Hartford, USA, where he is currently Associate Professor. He has published widely on film, literature, and theory.