Joseph Conrad is famous for being an unusual, strange, and even eccentric English writer. However, despite his difference, English criticism has primarily interpreted his fiction from the perspective of the English culture. In turn, Polish criticism has portrayed Conrad as a Pole who happened to write in English. Considering Conrad’s transcultural background, neither exclusively English nor an exclusively Polish writer, this volume investigates the essential features of his expatriate writing as a form distinctly different from any writing done within a single culture. Conrad's unique contribution to English literature and sensibility stems from his ability to incorporate the complexity of the exilic condition without discussing it explicitly. Furthermore, this book establishes Conrad's expatriation archetypes and examines them as they manifest themselves not only in a realistic, but, more importantly, in a symbolic mode. Those archetypal features demonstrate themselves through Conrad’s thematic choices, narrative structure, and critical discourse that reflect his complex relationship with both the parent and the adopted reader. While the existence of these patterns in Conrad's fiction are not entirely obvious, this book aims to illuminate Conrad’s contributions to the current critical debate concerning the place of the author in his/her own narrative.
Voitkovska
Exile as a Continuum in Joseph Conrad's Fiction jetzt bestellen!
Zielgruppe
Postgraduate and Undergraduate Advanced
Weitere Infos & Material
Introduction
1 Reading Conrad in the Context of Expatriation
2 Exile as Autobiography in Lord Jim
3 Textualization of Liminality in The Secret Agent
4 Homecoming in Nostromo
5 Unnaturalness of Naturalization: Doubles in "The Secret Sharer"
6 Drawn into Liminal Space: Conrad’s Women in Love
7 Reading as Homecoming: Expatriation as a Critical Discourse in Lord Jim
8 Anxiety of Adopted Reader in Under Western Eyes
Bibliography
Ludmilla Voitkovska received her Ph.D. in English literature from the University of Saskatchewan, Canada, and a PhD equivalent from the University of Odessa, Ukraine. She is currently Professor in the Department of English at the University of Saskatchewan,. Her recent and forthcoming publications include: “‘The Bard of Selected Elements’: Conrad’s Reception in Russia” and “Conrad in Ukraine: An Untold Story” in The Reception of Joseph Conrad in Europe (forthcoming in 2022).
