Male Friendship and Testimonies of Love in Shakespeare¿s England

1. Auflage 2016
ISBN: 978-1-137-49496-2
Verlag: Palgrave Macmillan UK

Buch, Englisch, 211 Seiten, HC runder Rücken kaschiert, Format (B × H): 153 mm x 216 mm, Gewicht: 3997 g

Reihe: Early Modern Literature in History

Male Friendship and Testimonies of Love in Shakespeare’s England reveals the complex and unfamiliar forms of friendship that existed between men in the late sixteenth century. Using the unpublished letter archive of the Elizabethan spy Anthony Bacon (1558-1601), it shows how Bacon negotiated a path through life that relied on the support of his friends, rather than the advantages and status that came with marriage. Through a set of case-studies focusing on the Inns of Court, the prison, the aristocratic great house and the spiritual connection between young and ardent Protestants, this book argues that the ‘friendship spaces’ of early modern England permitted the expression of male same-sex intimacy to a greater extent than has previously been acknowledged.   

Zielgruppe

Research

Autoren/Hrsg.

Tosh, Will

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Literaturwissenschaft Englische Literatur

Inhaltsverzeichnis

Acknowledgments.- List of Abbreviations.- 1. Introduction: Anthony Bacon and the Uses of Friendship.- 2. Intimacy: Nicholas Faunt, Faith and the Consolations of Friendship.- 3. Instrumentality: The Prison, Liberty and Writing Friendship in the Space in Between.- 4. Institutionality: Nicholas Trott, the Inns of Court and the Value of Friendship.- 5. Instability: Service, Love and Jealousy in the Essex Circle.- Conclusion.- Bibliography.- Index.-

Über Autor(innen)

Will Tosh is Lecturer and Research Fellow at Globe Education, Shakespeare’s Globe, UK. Educated at Oxford University and Queen Mary University of London, he is now lead investigator in performance practice at the Globe’s candle-lit Sam Wanamaker Playhouse.