The Idea of Beauty in Italian Literature and Language

Il Buono Amore È Di Bellezza Disio
Erscheinungsjahr 2019
ISBN: 978-90-04-38894-9
Verlag: Brill

Buch, Englisch, 384 Seiten, Format (B × H): 160 mm x 239 mm, Gewicht: 680 g

Beauty is a central concept in the Italian cultural imagination throughout its history and in virtually all its manifestations. It particularly permeates the domains that have governed the construction of Italian identity: literature and language. The Idea of Beauty in Italian Literature and Language assesses this long tradition in a series of essays covering a wide chronological and thematic range, while crossing from historical linguistics to literary and cultural studies. It offers elements for reflection on cross-disciplinary approaches in the humanities, and demonstrates the power of beauty as a fundamental category beyond aesthetics.

Autoren/Hrsg.

Weitere Mitwirkende

Di Felice, Claudio

Bossier, Philiep

Hendrix, Harald

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Sprachwissenschaft Historische & Vergleichende Sprachwissenschaft, Sprachtypologie
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Literaturwissenschaft Romanische Literaturen Italienische Literatur
• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

List of Figures

Introduction

Harald Hendrix, Claudio Di Felice, and Philiep Bossier

1 Forms and Variations of Lemmata Indicating “Beauty” in Literary Italian and the Common Language

Rosario Coluccia

2 “Bellezze ed adornezze e piacimento”: The Concept of Beauty in the Sicilian School

Francesca De Blasi

3 Beauty as a Forma Mentis: Francis of Assisi

Brigitte Poitrenaud-Lamesi

4 From Earthly Venus to Heavenly Venus: On the Evolution of the Concept of Beauty in Girolamo Benivieni

Sergio Di Benedetto

5 The “True Form” of Beauty: Poetry and Portraits from Petrarch to the Sixteenth Century

Veronica Pesce

6 “Love is Naught but a Certain Desire to Enjoy Beauty”: Castiglione and Raffaello*

Pasquale Sabbatino

7 The Principle of Beauty in the Literary Criticism of the 16th Century

Antonio Sorella

8 Beauty at the Limit

Silvia Fabrizio-Costa

9 Words for Beauty: Giuseppe Parini between Ideal Cities and the Decadence of the World

Marcello Ciccuto

10 Amorose e di galanteria: Considerations about the Language of Love, Beauty and Desire in some
Unpublished Poems by Giulio Bajamonti

Monica De Rosa

11 “The Profound Beauty is Greatness”: Itinerary in Giovanni Boine’s Aesthetics

Enrico Riccardo Orlando

12 The Origins of Beauty in Leopardi’s Zibaldone

Stefano Bragato

13 History of a Modest Beauty: Models of Woman’s Aesthetics from Fermo e Lucia to I promessi sposi

Gavino Piga

14 The “Second Beauty”: Ideas of Politeness and Beauty in Italian Books of Manners

Giovanna Alfonzetti

15 Fosca and her Sisters: Origins and Hypostases of the “Medusean Beauty” in the Narrative of the Scapigliatura

Francesco Bonelli

16 Reconsidering Fin de Siècle Aestheticism: the Case of Gabriele D’Annunzio

Filippo Fonio

17 Paradise Saved and Lost of Fin de Siècle Aesthetics: Matelda and Mariana in the Works of Giovanni Pascoli

Francesca Irene Sensini

18 Eugenio Montale: for the “Incredible, Wonderful Face” of Clizia, between Photographs, Letters, the Palio and other Verses

Epifanio Ajello

19 P.V. Tondelli and the Cannibals’ Generation in Search of the Lost Beauty

Agata Pryciak

Über Autor(innen)

Claudio Di Felice is Assistant Professor of Italian Linguistics at Leiden University. He has published on the history of literary Italian, on Abruzzese dialect and Italian minority languages, as well as on textual bibliography. Recently he published an edition of Silvestro di Tano Pantaleoni’s will, a close family acquaintance of Dante Alighieri (Italian Studies 2017, n. 72,1).

Harald Hendrix is Director of the Royal Netherlands Institute in Rome and full Professor of Italian Studies at Utrecht University. He has published on the European reception of early modern Italian literature, on the baroque aesthetics of the non-beautiful, and on the intersections of Italian literature, memorial practices and travel cultures.

Philiep Bossier is full Professor of Italian Studies at Utrecht University, and the University of Groningen. He has published on early modern Romance literature in Europe, the history of Italian professional theatre and the rhetoric of emerging female authorship in the Italian renaissance.