Somaesthetic Experience and the Viewer in Medicean Florence

Renaissance Art and Political Persuasion, 1459-1580
Erscheinungsjahr 2020
ISBN: 978-94-6372-221-6
Verlag: Amsterdam University Press

Buch, Englisch, 312 Seiten, Format (B × H): 170 mm x 240 mm, Gewicht: 900 g

Reihe: Amsterdam University Press

Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetics. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound themselves to others. By investigating the framework and practice of somaesthetic experience of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance.

Autoren/Hrsg.

Terry-Fritsch, Allie

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus

Inhaltsverzeichnis

List of Illustrations

Acknowledgements

1 Activating the Renaissance Viewer: Art and Somaesthetic Experience

Somaesthetics and Political Persuasion

Patronage and the Construction of the Viewer in Medicean Florence

2 Mobilizing Visitors: Political Persuasion and the Somaesthetics of Belonging in the Chapel of the Magi

Sensory Activation and the Signaling of the Patron

Somaesthetic Emplacement in Immersive Artistic Programs

Staging Belonging in Bethlehem

3 Staging Gendered Authority: Donatello's Judith, Lucrezia Tornabuoni de'Medici's sacra storia, and the Somaesthetics of Justice

Medici Garden as a Theater in the Round

Somaesthetic Cultivation of Audience and Narrator

Collective Witnessing at the Scaffolds

4 Performing Virtual Pilgrimage: Somaesthetics and Holy Land Devotion at San Vivaldo

Materializing the Holy Land Experience

Somaesthetic Fashioning and Affective Devotion

Possessing the New Jerusalem

5 Playing the Printed Piazza: Giovanni de'Bardi's Discorso sopra il giouco del calcio fiorentino and Somaesthetic Discipline in Grand-Ducal Florence

The Florentine Piazza as Practiced Space of Calcio

Antiquity and Historical Realism in Bardi's Discorso

Battle Tactics, Vedute, and Somaesthetic Dominion

Ritual Display and Restraint in the Noble Game of Calcio

6 Epilogue: Renaissance Somaesthetics and the Digital Age

Index

Über Autor(innen)

Terry-Fritsch, Allie
Allie Terry-Fritsch is Associate Professor of Italian Renaissance Art History at Bowling Green State University in Ohio. Her research focuses on the performative experience of art and architecture in fifteenth-century Florence, with a particular emphasis on the political significance of embodiment in the viewing process. She has published widely on audiences for Medici-sponsored works by Fra Angelico, Benozzo Gozzoli, Donatello, and others, and is editor of Beholding Violence in Medieval and Early Modern Europe (Ashgate/Routledge, 2012). Her next book project on Fra Angelico, Cosimo de’Medici, and the Library of San Marco recently won the National Endowment for Humanities prize for a Summer Stipend.