Tatsumi | Trans-Pacific Cultural Studies | Buch | 978-93-5328-458-9 | www2.sack.de

Buch, Englisch, 1208 Seiten, Format (B × H): 159 mm x 241 mm, Gewicht: 2475 g

Reihe: Sage Benchmarks in Culture and Society

Tatsumi

Trans-Pacific Cultural Studies


1. Auflage 2019
ISBN: 978-93-5328-458-9
Verlag: SAGE Publications

Buch, Englisch, 1208 Seiten, Format (B × H): 159 mm x 241 mm, Gewicht: 2475 g

Reihe: Sage Benchmarks in Culture and Society

ISBN: 978-93-5328-458-9
Verlag: SAGE Publications


In the wake of 9/11 terrorist attacks and the Iraq War, a number of scholars and critics started reconfiguring the discourse of globalism by introducing such ideas as Planetarity (Gayatri Spivak, 2003), Hemispheric Imagination (Gretchen Murphy, 2005), Deep Time (Wai Chee Dimock, 2008), Transpacific Imagination (Yunte Huang, 2008), Deep Maps (Shelley Fisher Fishkin, 2011), and Deterritorialization (Paul Giles, 2011). This title seeks to present perspectives on such ideas as well as the traditional concepts of transnational and transregional cultural expression. It introduces transatlantic, transpacific and even global viewpoints to provide a comprehensive view of cultural exchanges and growth across the Pacific.

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Autoren/Hrsg.


Weitere Infos & Material


Volume I: Trans-Pacific Americanism
Appendix of Sources
Foreword - Shelley Fisher Fishkin
Editor’s Introduction: Trans-Pacific Cultural Studies - Takayuki Tatsumi

U S –Japan Literary Interactions in the Transpacific Cultural History - Takayuki Tatsumi
Asian Crossroads
Transnational American Studies - Shelley Fisher Fishkin

Historical Lessons in Asian-American Relations: Searching for Inter-Civilizational Dialogue - Daizaburo Yui

A New Perspective on American History from the Other Side of the Pacific - Jun Furuya

Toward a Pacific Civilization - Gary Y Okihiro

Reprogramming Memories: The Historicization of the Vietnam War from the 1970s through the 1990s - Eikoh Ikui

A Global Superpower or a Model of Democracy? Images of America in Post-Cold War Japan - Fumiko Nishizaki

Chop Suey as Imagined Authentic Chinese Food: The Culinary Identity of Chinese Restaurants in the United States - Haiming Liu

To Clear Up a Cloud Hanging on the Pacific Ocean: The 1927 Japan-U.S. Doll Exchange - Rui Kohiyama
A Tragedy of Democracy: Japanese Confinement in North America - Greg Robinson
The Transnational Artists Yun-Fei Ji, Hung Liu, and Zhang Hongtu: Globalization, Hybridity, and Political Critique - Joyce Brodsky

The Archipelagic Black Global Imaginary: Walter White’s Pacific Island Hopping - Etsuko Taketani
Volume II: Trans-Pacific Literary Studies
Prelims
Literary History on the Road: Transatlantic Crossings and Transpacific Crossovers - Takayuki Tatsumi

Editors’ Introduction: New Perspectives on ‘The War-Prayer’ - Shelley Fisher Fishkin and Takayuki Tats
Mark Twain's 'The War-Prayer'—The Reflections on Vietnam and Iraq - Mong-Lan

The Realm of an Empire and the Reach of Empathy: Reconsideration of Humanism in Mark Twain's 'The War-Prayer' - Michio Arimitsu

Mark Twain and Gensai Murai: A Japanese Inspiration for 'The War-Prayer' - Kevin Mac Donnell
The Transpacific Gaze in Tropic of Orange - Gayle K Sato
The Melancholy Melodrama of "Honorary Whiteness": The Case of Yuasa Katsuei's Colonial Fiction - Mary A Knighton

Herman Melville's “Pequot Trilogy”: The Pequot War in Moby-Dick, Israel Potter and Clarel - Yukiko Oshima

Rethinking Cultural Awareness Toward Nature: Oriental Animals in Herman Melville's Clarel - Mikayo Sakuma

Japanese Ishmael: "John" Manjiro Nakahama Crossing the Vital Year 1850 - Makino Arimichi

Onoto Watanna's Japanese Collaborators and Commentators
“Will White Man and Yellow Man Ever Mix?”: Wallace Irwin, Hashimura Togo, and the Japanese Immigrant in America - Yoshiko Uzawa

Surviving the Perpetual Winter: The Role of Little Boy in Vonnegut’s Cat’s Cradle - Fumika Nagano

Absent Presence as Nonprotest Narrative: Internment, Interethnicity, and Christianity in Hisaye Yamamoto’s “The Eskimo Connection” - Rie Makino

Pioneer Narrative of an Internee Girl: Cynthia Kadohata’s Weedflower (2006) and Nikkei Reclaim for the American West - Yukari Kato

The Imaginary Space in Indian-American Fiction: A Catalyst for Rebellion in Jhumpa Lahiri's The Lowland - Shunsuke Shiga

Beyond K's Specter: Chang-rae Lee's A Gesture Life, Comfort Women Testimonies, and Asian American Transnational Aesthetics - Belinda Kong
Volume III: Science Fiction and Cyber Culture
Prelims
A Soft Time Machine: From Translation to Transfiguration - Takayuki Tatsumi

Horror and Machines in Prewar Japan: The Mechanical Uncanny in Yumeno Kyûsaku's Dogura magura - Miri Nakamura

Two Essays on Science Fiction - Abe Kôbô

From Parody to Simulacrum: Japanese SF, Regionalism, and the Inauthentic in the Early Works of Komatsu Sakyo and Tsutsui Yasutaka - William O Gardner

Japanese SF, Its Originality and Orientation (1969) - Kôichi Yamano

“Collective Reason”: A Proposal (1971, rev. 2000) - Shibano Takumi

Space, Body, and Aliens in Japanese Women's Science Fiction - Mari Kotani

Has the Empire Sunk Yet?—The Pacific in Japanese Science Fiction - Thomas Schnellbächer

Techno-Orientalism with Chinese Characteristics: Maureen F McHugh's China Mountain Zhang - Christopher T Fan

“Great Wall Planet”: Introducing Chinese Science Fiction - Yan Wu

On the Mythologerm: Kalpavigyan and the Question of Imperial Science - Bodhisattva Chattopadhyay

Crossing the Border: The Depiction of India in Ian McDonald's River of Gods and Cyberabad Days - Suparno Banerjee
Volume IV: Cool Asia
Prelims
Introduction to Three Asias: Japan—Invisible Asias, Other Japans - Takayuki Tatsumi

Storming the Floating World of Postmodern Hyperreality - Larry McCaffery

Introduction to New Japanese Fiction - Larry McCaffery and Sinda Gregory

On the Monstrous Planet, or How Godzilla Took a Roman Holiday - Takayuki Tatsumi

The Japan Fad in Global Youth Culture and Millennial Capitalism - Anne Allison

Doll Beauties and Cosplay - Mari Kotani
Little House in the Far East: The American Frontier Spirit and Japanese Girls' Comics - Hisayo Ogushi

Where Is My Place in the World? Early Shojo Manga Portrayals of Lesbianism - Yukari Fujimoto
Tezuka Is Dead: Manga in Transformation and Its Dysfunctional Discourse - Ito Go and Miri Nakamura

“Becoming-Insect Woman”: Tezuka's Feminist Species - Mary A Knighton

Gundam and the Future of Japanoid Art - Takayuki Tatsumi

The Animalization of Otaku Culture - Thomas Lamarre and Hiroki Azuma

The Art of Cute Little Things: Nara Yoshitomo's Parapolitics - Marilyn Ivy
The Sacrificial Economy of Cuteness in Tamala 2010: A Punk Cat in Space - Emily Raine

What Can a Vocaloid Do? The Kyara as Body without Organs - Sandra Annett


Tatsumi, Takayuki
Takayuki Tatsumi, Ph.D., has taught American Literature and Critical Theory at Keio University, Tokyo, since 1989. He served as President of The American Literature Society of Japan (2014–2017) and of The Poe Society of Japan (2009–) and as Vice President of the Melville Society of Japan (2012–); he is currently a member of the editorial board of PARADOXA, Mark Twain Studies and the Journal of Transnational American Studies. His book Full Metal Apache: Transactions between Cyberpunk Japan and Avant-Pop America (Duke UP, 2006) won the 2010 IAFA (International Association for the Fantastic in the Arts) Distinguished Scholarship Award. Co-editor of the “New Japanese Fiction” issue of Review of Contemporary Fiction (Summer 2002), Robot Ghosts, Wired Dreams (U of Minnesota P, 2007), the special “Three Asias – Japan, S. Korea, China” issue of PARADOXA (No. 22, 2010) and The Routledge Companion to Transnational American Studies (Routledge, 2019), he has also published a variety of essays in PMLA, Critique, Extrapolation, American Book Review, Mechademia, The Oxford Research Encyclopedia of Literature and elsewhere on subjects ranging from the American Renaissance to post-cyberpunk fiction and film. His recent collaborations include: The Cambridge History of Postmodern Literature (2016) and The Liverpool Companion to World Science Fiction Film (2014). His recent monographs include: Young Americans in Literature: The Post-Romantic Turn in the Age of Poe, Hawthorne and Melville (Sairyusha, 2018).



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