Buch, Englisch, Band 3, 224 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 352 g
A Guide to Musical Semiotics
Buch, Englisch, Band 3, 224 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 352 g
Reihe: Approaches to Applied Semiotics [AAS]
ISBN: 978-3-11-017227-0
Verlag: De Gruyter
Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.
Zielgruppe
Students, Scholars, Academic Libraries, Institutes
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften Semiotik
- Geisteswissenschaften Philosophie Semiotik
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
- Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Semiotik