Buch, Englisch, 338 Seiten, Format (B × H): 155 mm x 234 mm, Gewicht: 522 g
Displaying Death
Buch, Englisch, 338 Seiten, Format (B × H): 155 mm x 234 mm, Gewicht: 522 g
Reihe: Routledge Research in Museum Studies
ISBN: 978-1-138-85204-4
Verlag: Taylor & Francis
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Approaches to Displaying Death in Museums: An Introduction
Elena Stylianou & Theopisti Stylianou-Lambert
PART I: EVIDENCING THE PAST
Negotiating Death at the Great Kanto Earthquake Memorial Museum
J. M. Hammond
Honoring the dead: photography and the display of the Jewish Necropolis at the Jewish
Museum of Thessaloniki
Iro Katsaridou
“Death from the skies.” Photographs in museums of the aerial bombing of civilians during World War Two
Sheila Watson
Saints, Martyrs and Heroes: “Sacred Displays” or the Iconography of Death in Cypriot Museums
Yiannis Toumazis
PART II: THE SPECTABLE OF DEATH
The War/Photography Exhibition and the Display of Death
Jean Kempf
“Persons Unknown”: Lynching Photographs in the Museum
RM Wolff
Human Skulls and Photographs of Dead Bandits: the Problems of Presenting a Nineteenth Century Museum to Twenty-First-Century-Audiences
Silvano Montaldo and Eleanor Chiari
Our First Murder: Exhibiting Evidence outside the Police Archive
Stella Pekiaridi
PART III: EMPAPHY AND RESTORING ANONYMITY
A Gallery of Martyrs – The Martyr in the Gallery: Public Display and the Artistic Appropriation of Martyr Images in the Middle East
Verena Straub
What Will You Remember When I’m Gone? Funerary Photography in the Gallery’s Public / Private Space
Rosanne Altstatt
Remediating Death at Yad Vashem’s Holocaust History Museum
Rachel Perry
Photography and the Museum: visiting the sight of Death
Pam Meecham
PART IV: MUSEUMS AS AGENTS OF CHANGE
Double Exposure: Absence and Evidence in Ken Gonzales-Day’s Erased Lynching
Reilley Bishop-Stall
On May 1, 2011 (Alfredo Jaar, 2011) – Expanding the Frame of the Original Photograph
Mafalda Dâmaso
Photography as a form of taxidermy: Zoe Leonard’s Preserved Head of a Bearded Woman, Musée Orfila
Chelsea Nichols