Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies

Transforming Understanding-Understanding Transformation
Erscheinungsjahr 2025
ISBN: 978-3-031-91994-7
Verlag: Springer

Buch, Englisch, 210 Seiten, Format (B × H): 160 mm x 241 mm, Gewicht: 510 g

Reihe: Arts, Research, Innovation and Society

This open access edited volume is based on the premise that entanglements between current societal, political, technological, ecological, and cultural transformations cannot be sufficiently understood without transforming the modes, forms, and notions of understanding. Conceptually, “uncertain curiosity” is inspired by Helga Nowotny’s , as it maps trends in the history of knowledge on creative curiosity and its shifting relation to innovation-promoting institutions and societal notions of  un/certain and un/predictable futures. This volume explores epistemic, infrastructural, and cosmological conditions under which the curiosity drive can flourish. Adopting an encyclopedic structure, the contributions engage with terminologies that echo transformation processes and conditions of change by foregrounding the ephemeral, the processual, and the desynchronous and address issues of insurability, vagueness, and ambiguity. This is achieved through a blend of case study research, critical terminological work, poetic engagement with language, and visual culture and discourse analysis through the lenses of artistic research, philosophy, media and cultural studies.

Zielgruppe

Research

Autoren/Hrsg.

Stuckey, Lisa

Damianisch, Alexander

Fachgebiete

• Wirtschaftswissenschaften Betriebswirtschaft Management Forschung & Entwicklung (F&E), Innovation
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Philosophie Ästhetik

Inhaltsverzeichnis

Chapter1: Introduction.- Chapter2: Coinciding: The Potential of Coincidental Determination.- Chapter3: Creating: Artistic Making Between Intellectual Creation and Biological Procreation.- Chapter4: Desynchronizing: Environment, Sexuality, Paranoia Challenging the Con Temporaneity of the Normative Concept of Synchronization.- Chapter5: Disorienting: Curiosity and the Work of Unknowing.- Chapter6: Dizzying: Knowing Dizziness and Loss in the Presence of the Abyss.- Chapter7: Escaping: Escaping or the Spirit of the Figuring: Diagramming Contingent Agencies.- Chapter9: Generating: Imagine Feminine Artificial Intelligence.- Chapter10: H(a)unting: Tracing the Unresolvable.- Chapter11: Recycling: Imperfection, Temporal Asymmetry, Drift.- Chapter12: Remedying: Philosophical, Legal, and Future Heritage Perspectives on Transformative Remedies Remedial Transformation.- Chapter13: Scratching: To Start from Scratch as an Artistic Research Method.- Chapter14: Spectralizing: The Many Hauntings of the More than.- Chapter15: Toppling: The Slipperiness of a Falling Monument.- Chapter16: Transforming: Explorative Considerations of Co Agency.- Chapter17: Understanding: Proposing Pragmas for the Poetics of Understanding.- Chapter18: Weakening: Aesthetics of Powerlessness.- Chapter19: Witnessing: Curiosity and the Nonhuman.

Über Autor(innen)

Lisa Stuckey is an art and cultural studies researcher and a senior scientist at the Institute of Arts and Society at the University of Applied Arts Vienna. Stuckey pursued her doctorate in philosophy at the Academy of Fine Arts Vienna with a junior fellowship from the IFK International Research Center for Cultural Studies. For her dissertation on “Investigative Aesthetics,” situated between arts and jurisdiction, Stuckey received the Austrian State Prize “Award of Excellence 2021.” It was published under the title (De Gruyter, 2022). In 2024, Stuckey was a research fellow at the Centre for Advanced Study at Humboldt-Universität zu Berlin.

 Alexander Damianisch heads the Department Support Art and Research at the University of Applied Arts Vienna (Angewandte), where he advances the development of art and research projects, manages funding strategies, and supports postgraduate research activities. He is a member of the Angewandte Interdisciplinary Laboratory executive board and the European League of Institutes of the Arts representative board. He engages in teaching, moderation, writing, and consulting, is an active member of the ELIA Careers in the Arts working group, and has pioneered Special Interest Groups within the Society for Artistic Research (SAR). He also facilitated high-level funding agency dialogues as a former SAR executive board member.