Buch, Englisch, 272 Seiten, Format (B × H): 162 mm x 239 mm, Gewicht: 487 g
Buch, Englisch, 272 Seiten, Format (B × H): 162 mm x 239 mm, Gewicht: 487 g
ISBN: 978-0-231-14814-6
Verlag: Columbia University Press
From the rise of retail superstores to Oprah's phenomenal reach, Striphas tracks the methods through which the book industry has adapted (or has failed to adapt) to rapid changes in twentieth-century print culture. Barnes & Noble, Borders, and Amazon.com have established new routes of traffic in and around books, and pop sensations like Harry Potter and the Oprah Book Club have inspired the kind of brand loyalty that could only make advertisers swoon. At the same time, advances in digital technology have presented the book industry with extraordinary threats and unique opportunities.
Striphas's provocative analysis offers a counternarrative to those who either triumphantly declare the end of printed books or deeply mourn their passing. With wit and brilliant insight, he isolates the invisible processes through which books have come to mediate our social interactions and influence our habits of consumption, integrating themselves into our routines and intellects like never before.
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
- Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Verlagswesen
Weitere Infos & Material
AcknowledgmentsIntroduction: The Late Age of Print1. E-books and the Digital Future2. The Big-Box Bookstore Blues3. Bringing Bookland Online4. Literature as Life on Oprah's Book Club5. Harry Potter and the Culture of the CopyConclusion: From Consumerism to ControlNotesIndex