The Cinema of Richard Linklater - Walk, Don′t Run

Erscheinungsjahr 2013
ISBN: 978-0-231-16552-5
Verlag: Wallflower Press

Buch, Englisch, 192 Seiten, Format (B × H): 150 mm x 250 mm, Gewicht: 666 g

Reihe: Directors' Cuts

From Slacker (1991) to The School of Rock (2003), from Before Sunrise (1995) to Before Sunset (2004), from the walking and talking of his no/low-budget American independent films to conversing with the philosophical traditions of the European art house, Richard Linklater's films are some of the most critical, political, and spiritual achievements of contemporary world cinema. Examinations of Linklater's collaborative working practices and deployment of rotoscoping and innovative distribution strategies all feature in this book, which aspires to walk and talk with the filmmaker and his films. Informed by a series of original interviews with the artist, in both his hometown and frequent film location of Austin, Texas, this study of the director who made Dazed and Confused (1993), A Scanner Darkly (2006), and Bernie (2011) explores the theoretical, practical, contextual, and metaphysical elements of these works along with his documentaries and side-projects and finds fanciful lives and lucid dreams have as much to do with his work as generally alternative notions of America, contemporary society, cinema, and time.

Autoren/Hrsg.

Stone, Rob

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Einzelne Filmschauspieler, Filmregisseure, Drehbuchautoren

Inhaltsverzeichnis

AcknowledgementsIntroduction: Walk, Don't Run: The Cinema of Richard Linklater1. Locating Linklater2. Crafting Contradictions 3. The Form and Content of Slack4. American Art House5. Dreamstate, USA: The Metaphysics of Animation6. The Spaces In BetweenFilmographyBibliographyIndex

Über Autor(innen)

Rob Stone is professor of film studies at the University of Birmingham. He is the author of Spanish Cinema and Flamenco in the Works of Federico García Lorca and Carlos Saura, and Julio Medem, and coeditor of The Unsilvered Screen: Surrealism on Film, Screening Songs in Hispanic and Lusophone Cinema, and A Companion to Luis Buñuel.