Buch, Englisch, 284 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 490 g
Reihe: Clarendon Paperbacks
The Cultural and Musical Background to Le Nozze Di Figaro, Don Giovanni, and Cosi Fan Tutte
Buch, Englisch, 284 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 490 g
Reihe: Clarendon Paperbacks
ISBN: 978-0-19-816221-6
Verlag: OUP Oxford
in which they were written, the sort of audience who might have attended, and their tastes and expectations. He considers Mozart's own intentions and aspirations for these works, composed over a period of rapid intellectual and political change, during which his beliefs, ambitions, and position in society changed
radically. At a musical level, Mozart's work underwent crucial stylistic developments that are manifest in these three operas. We are also given clues to da Ponte's view of opera and the type of entertainment he set out to create. Finally, the author looks at the practicalities of opera production in Mozart's time, all of which would have influenced the final creation of these works.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
The social context: Vienna and her ruler; Musicians, opera, and audience in Mozart's time; Mozart and Vienna; Mozart and his personal circle; Da Ponte and the Buffa plot; Cosi fan tutte and contemporary morality; Mozart and Opera Buffa; Drama and musical form in Le nozze di Figaro; Don Giovanni: musical form and dramatic cohesion; Cosi fan tutte; Epilogue; Appendix: casts of characters, plot synopses, and musical
outlines for the three operas