Stehle Performance and Gender in Ancient Greece

Nondramatic Poetry in Its Setting
Course Book
ISBN: 978-1-4008-6429-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 386 Seiten

Reihe: Princeton Legacy Library

"Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination.

Originally published in 1997.

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Autoren/Hrsg.

Stehle, Eva

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

Preface

Abbreviations

Introduction 3

Ch. 1 Community Poetry 26

Ch. 2 Women in Performance in the Community 71

Ch. 3 Male Performers in the Community 119

Ch. 4 Bardic Poetry 170

Ch. 5 The Symposium 213

Ch. 6 Sappho's Circle 262

Conclusion 319

Appendix: Chronology of Primary Sources 326

Transliterated Terms 329

Bibliography 331

Index Locorum 353

General Index 357