Stanton A Manual of American Literature

1. Auflage 2016
ISBN: 978-3-7364-1526-3
Verlag: anboco
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 990 Seiten

The 'Collection of British Authors,' or, as it is more popularly known on the European Continent, the 'Tauchnitz Edition,' was instituted in 1841, at Leipsic, by one of the most distinguished of German publishers, the late Baron Bernhard Tauchnitz, whose son is now at the head of the house. The father records that he was 'incited to the undertaking by the high opinion and enthusiastic fondness which I have ever entertained for English literature: a literature springing from the selfsame root as the literature of Germany, and cultivated in the beginning by the same Saxon race.... As a German-Saxon it gave me particular pleasure to promote the literary interest of my Anglo-Saxon cousins, by rendering English literature as universally known as possible beyond the limits of the British Empire.' In another place, Baron Tauchnitz describes 'the mission' of his Collection to be the 'spreading and strengthening the love for English literature outside of England and her Colonies.' Baron Tauchnitz early felt that the general title of the series, 'Collection of British Authors,' was a misnomer,vi which might even give offence to an important branch of the English-speaking race; for, though Bulwer and Dickens led off in the Collection, 'Pelham' being the first volume issued and 'The Pickwick Papers' the second, the fourth volume, added at the beginning of the second year of publication, in 1842, was Fenimore Cooper's 'The Spy,' followed in the same year by a second volume of the same author. Furthermore, the year 1843 opened with Washington Irving's 'Sketch Book,' immediately followed by a third novel by Cooper; and, though it was not till 1850 that another American work gained admittance into this charmed circle, not fewer than three of Irving's books succeeded one another in the single twelvemonth. In 1852, Hawthorne was welcomed with 'The Scarlet Letter' and Mrs.

Autoren/Hrsg.

Stanton, Theodore

Leseproben

A Manual of American Literature COLONIAL LITERATURE I. FIRST PERIOD (1607–1676) The Beginning.—The present race of Americans who are of English lineage—that is, the most numerous and decidedly the dominant portion of the American people of to-day—are the direct descendants of the crowds of Englishmen who came to America in the seventeenth century. Our first literary period, therefore, fills the larger part of that century in which American civilisation had its planting; even as its training into some maturity and power has been the business of the eighteenth and the nineteenth centuries. Of course, also, the most of the men who produced American literature during that period were immigrant authors of English birth and English culture; while the most of those who have produced American literature in the subsequent periods have been authors of American birth and of American culture. Notwithstanding their English birth, these first writers in America were Americans: we may not exclude them from our story of American literature. They founded that literature; they are its Fathers; they stamped their spiritual lineaments upon it; and we shall never deeply enter into the meaning of American literature in its later forms without tracing it back, affectionately, to its beginning with them. At the same time, our first literary epoch cannot fail to bear traces of the fact that nearly all the men who made it were Englishmen who had become Americans merely by removing to America. American life, indeed, at once reacted upon their minds, and began to give its tone and hue to their words; and for every reason, what they wrote here, we rightfully claim as a part of American literature; but England has a right to claim it likewise as a part of English literature. Indeed England and America are joint proprietors of this first tract of the great literary territory which we have undertaken to survey. Since the earliest English colonists upon these shores began to make a literature as soon as they arrived here, it follows that we can fix the exact date of the birth of American literature. It is that year 1607, when Englishmen, by transplanting themselves to America, first began to be Americans. Thus may the history of our literature be traced back from the present hour, as it recedes along the track of our national life, through the early days of the republic, through five generations of colonial existence, until, in the first decade of the seventeenth century, it is merged in its splendid parentage—the written speech of England. The First Writer.—Among those first Englishmen huddled together behind palisadoes in Jamestown in 1607, were some who laid the foundations of American literature, and there was one who still has a considerable name in the world. When he first set foot in Virginia, Captain John Smith was only twenty-seven years old; but even then he had made himself somewhat famous in England as a daring traveller in Southern Europe, in Turkey and the East. This extremely vivid and resolute man comes before us for study, not because he was the most conspicuous person in the first successful American colony, but because he was the writer of the first book in American literature. A True Relation of Virginia is of deep interest to us, not only on account of its graphic style and the strong light it throws upon the very beginning of our national history, but as being unquestionably the earliest book in American literature. It was written during the first thirteen months of the life of the first American colony, and gives a simple and picturesque account of the stirring events which took place there during that time, under his own eye. After all the abatements which a fair criticism must make from the praise of Captain John Smith either as a doer or as a narrator, his writings still make upon us the impression of a certain personal largeness in him, magnanimity, affluence, sense, and executive force. As a writer his merits are really great—clearness, force, vividness, picturesque and dramatic energy, a diction racy and crisp; and during the first two decades of the seventeenth century he did more than any other Englishman to make an American nation and an American literature possible. William Strachey.—During the first decade of American literature a little book was written in Virginia, which, as is believed by some authors, soon rendered an illustrious service to English literature by suggesting to Shakespeare the idea of one of his noblest masterpieces, The Tempest. It was in May, 1610, that Sir Thomas Gates, with two small vessels and 150 companions, had at last found his way into the James River after a voyage of almost incredible difficulty and peril. Among those who had borne a part in this ghastly and almost miraculous expedition was William Strachey, of whom but little is known except what is revealed in his own writings. He was a man of decided literary aptitude. Soon after his arrival here he was made secretary of Virginia, and in July, 1610, he wrote at Jamestown and sent off to England A True Reportory of the Wrack and Redemption of Sir Thomas Gates, Kt., upon and from the Islands of the Bermudas. Whoever reads this little book will be quite ready to believe that it may have brought suggestion and inspiration even to the genius of William Shakespeare. It is a book of marvellous power. Its account of Virginia is well done; but its most striking merit is its delineation of his dreadful sea-voyage, and particularly of the tempest which, after the terror and anguish of a thousand deaths, drove them upon the rocks of the Bermudas. Here his style becomes magnificent; it has some sentences which for imaginative and pathetic beauty, for vivid implications of appalling danger and disaster, can hardly be surpassed in the whole range of English prose. George Sandys.—The last one of this group of early writers, George Sandys, was perhaps the only one of all his fellow-craftsmen here who was a professed man of letters. He was well known as a traveller in Eastern lands, as a scholar, as an admirable prose-writer, but especially as a poet. His claim to the title of poet then rested chiefly on his fine metrical translation of the first five books of Ovid’s Metamorphoses. This fragment was a specimen of literary workmanship in many ways creditable; and that he was able, during the next few years, robbing sleep of its rights, to complete his noble translation of the fifteen books, is worthy of being chronicled among the heroisms of authorship. In 1626, he brought out in London, in a folio volume, the first edition of his finished work. The writings which precede this book in our literary history were all produced for some immediate practical purpose, and not with any avowed literary intentions. This book may well have for us a sort of sacredness, as being the first monument of English poetry, of classical scholarship, and of deliberate literary art, reared on these shores. And when we open the book, and examine it with reference to its merits, first, as a faithful rendering of the Latin text, and, second, as a specimen of fluent, idiomatic, and musical English poetry, we find that in both particulars it is a work that we may be proud to claim as in some sense our own, and to honour as the morning-star at once of poetry and of scholarship in the New World. The Burwell Papers.—In the year 1676 there occurred in Virginia an outburst of popular excitement which, for a hundred and fifty years afterward, was grotesquely misrepresented by the historians, and which only within recent years has begun to work itself clear of the traditional perversion. This excitement is still indicated by the sinister name that was at first applied to it, Bacon’s Rebellion. With this remarkable event the literary history of Virginia now becomes curiously involved. In the spring of 1676, at the very moment when the minds of men were torn by anxieties at the lawless interference of the King and Parliament with their most valuable rights, suddenly there swept toward them the terror of an aggressive Indian war. The people called upon the royal Governor, Sir William Berkeley, to take the necessary measures for repelling these assaults. For reasons of jealousy, indolence, selfishness, and especially avarice, this Governor gave to the people promises of help, and promises only. Then the people arose in their anger, and since their Governor would not lead them to the war, with unanimous voice they called upon one of their own number to be their leader, Nathaniel Bacon, a man only thirty years of age, of considerable landed wealth, of high social connections, a lawyer trained in the Inns of Court in London, an orator of commanding eloquence, a man who by his endowments of brain and eye and hand was a natural leader and king of men. He obeyed the call of the people and led them against the Indians, whom he drove back with tremendous punishment. But by the jealous and haughty despot in the governor’s chair, he was at once proclaimed a rebel; a price was set upon his head; and the people who followed him were put under ban. Then followed a series of swift conflicts, military and political, between Bacon and the Governor; and at last, in that same year, Bacon himself died, suddenly and mysteriously, and twenty-five persons were hung or shot. Shortly after our Revolutionary War, it was discovered that in an old and honourable family in the Northern Neck of Virginia, some manuscripts had been preserved, evidently belonging to the...