Uncertainties, Mysteries, Doubts

Romanticism and the analytic attitude
1. Auflage 2012
ISBN: 978-0-415-54386-6
Verlag: Routledge

Buch, Englisch, 232 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 360 g

What is it to listen? How do we hear? How do we allow meanings to emerge between each other?

'This book is about what Freud called "freely" or "evenly suspended attention", a form of listening, a kind of receptive incomprehension, which is fundamental and mandatory for the practice of psychoanalysis and psychotherapy. The author steps outside the usual parameters of psychoanalytic writing and explores how works of art and literature which elicit and require such listening began to appear in Europe, in abundance, from the late eighteenth-century onwards.

Uncertainties, Mysteries, Doubts is a timely reminder, in the present era of audit and manualisation, of some of psychoanalysis's deep and living cultural roots. It hopes- by immersing the reader in the emotional, critical and contextual worlds of some artists and poets of Romanticism- to help psychotherapists, psychoanalysts, and counsellors in the endless challenge of staying open to their clients and patients, faced as we all are, therapists and clients alike, by multiple pressures to knowledgeable closure.

Zielgruppe

Postgraduate, Professional, and Professional Practice & Development

Autoren/Hrsg.

Snell, Robert

Fachgebiete

• Sozialwissenschaften Psychologie Psychologie / Allgemeines & Theorie Psychologische Theorie, Psychoanalyse Psychoanalyse (S. Freud)

Inhaltsverzeichnis

Introduction. Psychoanalysis and Romanticism: Crisis, Mourning and the Mysteries of the Ordinary. The 'Analytic Attitude': An Evocation and an Overview. Goya and the Dream of Enlightenment. Hölderlin, Novalis, Word Without End. Baudelaire and the Malaise of Modernity. Dr Noir, the Chevalier Dupin, and John Keats.Conclusion.

Über Autor(innen)

Robert Snell is an analytic psychotherapist, a member of the London Centre for Psychotherapy, and an Honorary Senior Research Fellow in the Centre for Therapeutic Education at Roehampton University. He has a doctorate in art history from the Courtauld Institute. He is the co-author, with Del Loewenthal, of Post-Modernism for Psychotherapists (2003).