Sánchez-Rojo Music and Modernity in Enlightenment Spain

1. Auflage 2024
ISBN: 978-1-80543-358-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 13, 308 Seiten, Format (B × H): 156 mm x 234 mm

Reihe: Music in Society and Culture

By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought.

Autoren/Hrsg.

Sánchez-Rojo, Ana P

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Weltgeschichte
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Introduction: With Apologies to Modernity

1 Critics vs. Musicians
Critics vs. Musicians: El Censor vs. El músico censor
Critics vs. Musical Theater: Pablo Esteve's El teatro y los actores agraviados

2 Music, Medicine, and Tarantism in Madrid, 1787
The Tarantism Craze in Madrid
Musical Medicine
From theory to practice to Satire
Tarantism and the Modern Lifestyle

3 Cosmopolitan Opera
The Italian Opera Comeback
Opera in the Civilizational Aspirations of Madrid's Aristocracy and the Bourbon Agenda
Educating the Audience
A Space for Policía and Civilization
Opera, Nationalism, and the Emergent Public Sphere
Rejection of Opera and Mercantilist Mentality

4 Bourbon Sentimentalities on the Musical Stage
Genre and policy in La Cecilia
Those Treacherous Seguidillas
The Sentimental Musical Tableau

Conclusion

Über Autor(innen)

Sánchez-Rojo Ana P:
ANA P. SÁNCHEZ-ROJO is Assistant Professor of Music at Tulane University, New Orleans.