Popular Music Culture

The Key Concepts
5. Auflage 2022
ISBN: 978-0-367-76839-3
Verlag: Routledge

Buch, Englisch, 396 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 630 g

Reihe: Routledge Key Guides

Now in its fifth edition, this popular A–Z student reference book provides a comprehensive survey of key ideas and concepts in popular music culture, examining the social and cultural aspects of popular music.

Fully revised with extended coverage of the music industries, sociological concepts and additional references to reading, listening and viewing throughout, the new edition expands on the foundations of popular music culture, tracing the impact of digital technology and changes in the way in which music is created, manufactured, marketed and consumed. The concept of metagenres remains a central part of the book: these are historically, socially, and geographically situated umbrella musical categories, each embracing a wide range of associated genres and subgenres. New or expanded entries include: Charts, Digital music culture, Country music, Education, Ethnicity, Race, Gender, Grime, Heritage, History, Indie, Synth pop, Policy, Punk rock and Streaming.

Popular Music Culture: The Key Concepts is an essential reference tool for students studying the social and cultural dimensions of popular music.

Autoren/Hrsg.

Shuker, Roy

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Rock & Pop, Blues, Soul
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie

Inhaltsverzeichnis

Acknowledgements

List of Key Concepts

Introduction

THE KEY CONCEPTS

Selected References

Index

Über Autor(innen)

Roy Shuker is Adjunct Professor in Media Studies at Victoria University of Wellington, New Zealand. His previous publications include Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice (2010) and Understanding Popular Music Culture (5th edition, 2016).