Buch, Englisch, 86 Seiten, Format (B × H): 135 mm x 211 mm, Gewicht: 118 g
Collecting Music, Remediated
Buch, Englisch, 86 Seiten, Format (B × H): 135 mm x 211 mm, Gewicht: 118 g
Reihe: Routledge Focus on Digital Media and Culture
ISBN: 978-1-032-11579-5
Verlag: Taylor & Francis
This book examines the collection and curation of music, and the way digital streaming services are transforming the way we engage with the media.
The study foregrounds personal digital curation techniques, rather than algorithms or technology, to acknowledge the sustaining human agency involved in playlisting. The author looks at Digital Service Providers such as Spotify, Apple and Deezer, which offer their users not just access to large collections of music, but also the opportunity to create and maintain personalised consumption subsets such as playlists. Positioning these current playlisting practices as a remediation of significant cultural practices of the 20th century – such as collecting records and mix-taping – the book highlights the continuity of culture through media change, and the implications for concepts of self and identity, society and sharing.
Shedding new light on this contemporary cultural phenomenon, this book will be an important read for scholars who are interested in the area of digital music from different disciplines such as communication, digital humanities and social sciences in fields of media studies, digital cultures, personal information management, digital curation and popular music.
Sesigür
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The study foregrounds personal digital curation techniques, rather than algorithms or technology, to acknowledge the sustaining human agency involved in playlisting. The author looks at Digital Service Providers such as Spotify, Apple and Deezer, which offer their users not just access to large collections of music, but also the opportunity to create and maintain personalised consumption subsets such as playlists. Positioning these current playlisting practices as a remediation of significant cultural practices of the 20th century – such as collecting records and mix-taping – the book highlights the continuity of culture through media change, and the implications for concepts of self and identity, society and sharing.
Shedding new light on this contemporary cultural phenomenon, this book will be an important read for scholars who are interested in the area of digital music from different disciplines such as communication, digital humanities and social sciences in fields of media studies, digital cultures, personal information management, digital curation and popular music.
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Wissenssoziologie, Wissenschaftssoziologie, Techniksoziologie
Weitere Infos & Material
1 Introduction Remediation at the age of streaming 3 Historical transformation of music containers 4 Collecting music as information management 5 Everyday playlisting practices 6 Conclusion
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