Us Narratives of Nuclear Terrorism Since 9/11

Worst-Case Scenarios
2019. Auflage 2020
ISBN: 978-1-349-71312-7
Verlag: Palgrave MacMillan UK

Buch, Englisch, 347 Seiten, Format (B × H): 148 mm x 210 mm

This study examines the US fiction and related films which makes a series of interventions in the cultural debate over the threat of nuclear terrorism. It traces the beginnings of this anxiety from the 1970s, which increased during the 1990s after the collapse of the Soviet Union. The traumatic events of 9/11 became a major reference point for this fiction, which expressed the fear that of a second and worse 9/11. The study examines narratives of conspiracies which are detected and forestalled, and of others which lead to the worst of all outcomes – nuclear detonations, sometimes delivered by suitcase nukes. In some of these narratives the very fate of the nation hangs in the balance in the face of nuclear apocalypse. The discussion considers cases of attacks by electromagnetic pulse (EMP), cyberterrorism and even bioterrorism. Some of the authors examined are present or former politicians, members of the CIA, and former president, Bill Clinton.

Zielgruppe

Research

Autoren/Hrsg.

Seed, David

Fachgebiete

• Sozialwissenschaften Politikwissenschaft Politische Gewalt Terrorismus, Religiöser Fundamentalismus
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen

Inhaltsverzeichnis

1. Introduction.- 2. Beginnings.- 3. Pre-Emptive Investigations.- 4. Suitcase Nukes.- 5. After the Blast.- 6. Apocalyptic Visions.- 7. EMP and Cyberterrorism.- 8. Bioterrorism.

Über Autor(innen)

David Seed is a professor in the English Department at Liverpool University, UK. In addition to single-author studies and critical collections, his publications include American Science Fiction and the Cold War (1999), Brainwashing: The Fictions of Mind Control (2004), Cinematic Fictions (2010), and Under the Shadow: The Atomic Bomb and Cold War Narratives (2013). He is co-editor of the Science Fiction Texts and Studies series for Liverpool University Press.