Hearing Over
Buch, Englisch, 205 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 3747 g
ISBN: 978-1-137-40127-4
Verlag: Palgrave MacMillan UK
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
- Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
- Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften Sprachphilosophie
- Geisteswissenschaften Sprachwissenschaft Semantik & Pragmatik
Weitere Infos & Material
Acknowledgements Notes on the Contributors Introduction: Hearing Over; Mara Scanlon 1. Dialogism and Monologism in 'Song of Myself'; Stephen Pierson 2. Aesthetic Activity in Sir Thomas Wyatt's Penitential Psalms; Chad Engbers 3. Lyric Ventriloquism and the Dialogic Translations of Pasternak, Mandelstam and Celan; Tom Dolack 4. Robert Lowell's 'common novel plot': Names, Naming, and Polyphony in The Dolphin; Geoffrey Lindsay 5. Poetic Address and Intimate Reading: The Offered Hand; William Waters 6. Hasidim in Poetry: Dialogical Poetics of Encounter in Denise Levertov's The Jacob's Ladder; Temple Cone 7. Reading the Process: Stuart Hall, TV News, Heteroglossia, and Poetry; James D. Sullivan 8. Dialogic Poetry as Emancipatory Technology: Ventriloquy and Voiceovers in the Rhythmic Junctures of Harryette Mullen's Muse & Drudge; Andrea Witzke Slot 9. Zehra Çirak and the Aporia of Dialogism; Erin Trapp Index