Haunted Images - Film, Ethics, Testimony, and the Holocaust

Erscheinungsjahr 2008
ISBN: 978-1-905674-36-7
Verlag: Wallflower Press

Buch, Englisch, 256 Seiten, Format (B × H): 162 mm x 239 mm, Gewicht: 498 g

Haunted Images takes a close look at a range of treatments of the Holocaust in film, using sustained textual analysis to radically rethink film as a witness to history. Questioning the legitimacy of persistent claims that the Holocaust remains 'unrepresentable', this volume seeks to redefine the singular challenges this event presents to filmmakers, suggesting that filmic representations address the Holocaust as much through what they leave unseen – through silences and ellipses – as through what they visualise directly. Discussing films such as Kapo (1960), Shoah (1985) and Histoire(s) du cinéma (1997), this important new study provides a compelling reading of how European cinema has responded to the particular problems that the Holocaust presents to filmmakers, and suggests compelling fresh insights into the relationship between visual art, cultural trauma and the power of the image.

Autoren/Hrsg.

Saxton, Libby

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Deutsche Geschichte Deutsche Geschichte: Holocaust

Über Autor(innen)

Libby Saxton is Lecturer in French and Film Studies at Queen Mary, University of London. She is the co-editor of Seeing Things: Vision, Perception and Interpretation in French Studies (2002).