Buch, Englisch, 228 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 499 g
Buch, Englisch, 228 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 499 g
Reihe: Archaeology and Religion in South Asia
ISBN: 978-1-032-21564-8
Verlag: Taylor & Francis Ltd (Sales)
This book studies Natha sampradaya through archaeological evidence for the first time. Drawing on a pioneering approach to the study of ascetic traditions, it investigates not only the nature of the Natha sampradaya’s religious architecture but also examines the extent to which they shared space with other religious groups such as the devotees of Siva and Sakti, Buddhism, and Islam, especially with the Sufi tradition.
Focusing on western India, the book sifts through a variety of archaeological evidence and documentation of their temples, caves, and mathas. It critically analyses iconographic representations of ascetics on temple walls and sculptural representations of yogic postures or asanas. Further, these representations are discussed within a pan-South Asian framework to highlight both the commonalities of the tradition across the subcontinent and the regional specificities, along with their chronological spread.
Breaking new ground, this volume will be of great interest to scholars and researchers of religion, especially Hinduism, history, archaeology, and South Asian studies.
Zielgruppe
Academic and Postgraduate
Autoren/Hrsg.
Fachgebiete
- Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Regionalwissenschaften, Regionalstudien
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Stadt- und Regionalsoziologie
- Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie
- Geisteswissenschaften Religionswissenschaft Hinduismus
- Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein
Weitere Infos & Material
1. Introduction 2. Early Marathi Literature: Beginnings of the Natha Tradition 3. The Archaeological Evidence: Sacred Landscapes in Western India 4. The Iconography of Devotion: Images of Natha Yogis in Context 5. Hathayoga: The Visual Record 6. Conclusion