Samuel Richardson in Context

Erscheinungsjahr 2019
ISBN: 978-1-316-60452-6
Verlag: Cambridge University Press

Buch, Englisch, 388 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 563 g

Reihe: Literature in Context

Since the publication of his novel Pamela; or Virtue Rewarded in 1740, Samuel Richardson's place in the English literary tradition has been secured. But how can that place best be described? Over the three centuries since embarking on his printing career the 'divine' novelist has been variously understood as moral crusader, advocate for women, pioneer of the realist novel and print innovator. Situating Richardson's work within these social, intellectual and material contexts, this new volume of essays identifies his centrality to the emergence of the novel, the self-help book, and the idea of the professional author, as well as his influence on the development of the modern English language, the capitalist economy, and gendered, medicalized, urban, and national identities. This book enables a fuller understanding and appreciation of Richardson's life, work and legacy, and points the way for future studies of one of English literature's most celebrated novelists.

Autoren/Hrsg.

Sabor, Peter

Schellenberg, Betty A.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren

Inhaltsverzeichnis

Part I. Life and Works: 1. Portraying the life Thomas Keymer; 2. Publication history Peter Sabor; 3. Correspondence Louise Curran; Part II. Critical Fortunes: 4. Editions Hilary Havens; 5. Contemporary transnational reception Mary Helen McMurran; 6. Reputation Sören Hammerschmidt; 7. Critical reception to 1900 Brian Corman; 8. Critical reception since 1900 Albert J. Rivero; Part III. The Print Trade: 9. The Stationers' Company Ian Gadd; 10. Transnational print trade relations Norbert Schürer; 11. Authorship Betty A. Schellenberg; 12. The literary marketplace Catherine Ingrassia; Part IV. The Book and its Readers: 13. The material book Christopher Flint; 14. Editing Pat Rogers; 15. Reading and readers Eve Tavor Bannet; Part V. Literary Genres and the Arts: 16. The novel April London; 17. Fables and fairy-tales Margaret Anne Doody; 18. Letters Joe Bray; 19. Educational writing Bonnie Latimer; 20. The English language Carol Percy; 21. Salon culture and conversation Markman Ellis; 22. Visual arts Lynn Shepherd; 23. Theatre and drama Darryl P. Domingo; 24. Humour Simon Dickie; Part VI. Social Structures and Social Life: 25. Money and economics Edward Copeland; 26. The law Simon Stern; 27. Family Toni Bowers; 28. Gender Kathleen M. Oliver; 29. Sexuality James Grantham Turner; 30. Medicine and health Heather Meek; 31. Death and mourning culture Peter Walmsley; 32. London Linda Bree; 33. Sentiment and sensibility Katherine Binhammer; 34. Religion E. Derek Taylor; 35. Social hierarchy and social mobility Karen Lipsedge; 36. Politics Howard D. Weinbrot; 37. Nationalism Lisa O'Connell.

Über Autor(innen)

Sabor, Peter
Peter Sabor holds the Canada Research Chair in Eighteenth-Century Studies at McGill University, Montréal, where he is Director of the Burney Centre. His publications include, as co-author, Pamela in the Marketplace (Cambridge, 2005) and, as editor, Juvenilia in The Cambridge Edition of the Works of Jane Austen (Cambridge, 2006), The Cambridge Companion to Emma (Cambridge, 2015), and The Correspondence of Samuel Richardson with Lady Bradshaigh and Lady Echlin (3 vols., Cambridge, 2016).

Schellenberg, Betty A.
Betty A. Schellenberg is Professor of English at Simon Fraser University, British Columbia. Her publications include Literary Coteries and the Making of Modern Print Culture (Cambridge, 2016), an edition of Samuel Richardson's Correspondence Primarily on Sir Charles Grandison (1750–4) (Cambridge, 2015); The Professionalization of Women Writers in Eighteenth-Century Britain (Cambridge, 2005); Reconsidering the Bluestockings (2003, co-editor Nicole Pohl); and The Conversational Circle: Rereading the English Novel, 1740–75 (1996).