Buch, Englisch, 272 Seiten, Format (B × H): 163 mm x 237 mm, Gewicht: 510 g
Buch, Englisch, 272 Seiten, Format (B × H): 163 mm x 237 mm, Gewicht: 510 g
ISBN: 978-0-231-15742-1
Verlag: Columbia University Press
Ryan investigates what prompted fiction writers to incorporate and respond to theory nearly thirty years ago. Designed for readers unfamiliar with the complexities of theory, Ryan's book introduces the discipline's major trends and controversies and notes the salient ideas of a carefully selected set of individual thinkers. Ryan follows novelists' adaptation to and engagement with arguments drawn from theory as they translate abstract ideas into language, structure, and fictional strategy. At the core of her book is a fascinating microstudy of French poststructuralism in its dialogue with narrative fiction.
Investigating theories of textuality, psychology, and society in the work of Don DeLillo, Thomas Pynchon, J. M. Coetzee, Margaret Atwood, W. G. Sebald, and Umberto Eco, as well as Monika Maron, Alain Robbe-Grillet, Marguerite Duras, Marilynne Robinson, David Foster Wallace, and Christa Wolf, Ryan identifies subtle negotiations between author and theory and the richness this dynamic adds to texts. Resetting the way we think and learn about literature, her book reads current literary theory while uniquely tracing its shaping of a genre.
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AcknowledgmentsIntroduction: Knowing TheoryPart 1: Theories of Textuality 1. The Death of the Author2. Structure, Sign, and PlayPart 2: Psychological Theories 3. The Mirror Stage4. Women's TimePart 3: Theories of Society 5. Systems of Constraint6. Simulacra and Simulation7. Lines of FlightConclusion: Talking Back to TheoryNotesIndex