Russo Styles of Enlightenment

Taste, Politics, and Authorship in Eighteenth-Century France
Erscheinungsjahr 2007
ISBN: 978-0-8018-9610-1
Verlag: Johns Hopkins University Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 0 Seiten, Format (B × H): 152 mm x 229 mm

Reihe: Parallax: Re-visions of Culture and Society

Styles of Enlightenment argues that alongside its democratic ideals and its efforts to create a unified public sphere, the Enlightenment also displayed a tendency to erect rigid barriers when it came to matters of style and artistic expression. The French philosophes tackled the issue of the hierarchy of genres with surprising inflexibility, and they looked down on those forms of art that they saw as commercial, popular, and merely entertaining. They were convinced that the standard of taste was too important a matter to be left to the whims of the public and the vagaries of the marketplace: aesthetic judgment ought to belong to a few, enlightened minds who would then pass it on to the masses.

Through readings of fictions, essays, memoirs, eulogies, and theatrical works by Fénelon, Bouhours, Marivaux, Montesquieu, Voltaire, Diderot, Rousseau, Mercier, Thomas, and others, Styles of Enlightenment traces the stages of a confrontation between the virile philosophe and the effeminate worldly writer, "good" and "bad" taste, high art and frivolous entertainment, state patronage and the privately sponsored marketplace, the academic eulogy and worldly conversation. It teases out the finer points of division on the public battlefields of literature and politics and the new world of contesting sexual economies.

Autoren/Hrsg.

Russo, Elena

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Literaturwissenschaft Romanische Literaturen Französische Literatur

Inhaltsverzeichnis

Acknowledgments
Introduction
Prologue: Boudoir and Tribune
1. A Faded Coquette: Marivaux and the Philosophes
2. Fakes, Impostors, and Beaux Esprits: Conversation's Backstage
3. The Sly and the Coy Mistress: Style and Manner from Fénelon to Diderot
4. Capturing Fireside Conversation: Diderot and Marivaux's Stylistic Challenge
5. Grace and the Epistemology of Confused Perception
6. Between Paris and Rome: Montesquieu's Poetry of History
7. Montesquieu for the Masses, or Implanting False Memory
8. Everlasting Theatricality: Arlequin and the Untamed Parterre
Epilogue: The Costume of Modernity
Notes
Index

Über Autor(innen)

Russo, Elena
Elena Russo is a professor of 17th- and 18th-century French literature at the Johns Hopkins University. She is the author of several books, including La Cour et la ville de la littérature classique aux Lumières and Skeptical Selves: Empiricism and Modernity in the French Novel.

Elena Russo is a professor of 17th- and 18th-century French literature at the Johns Hopkins University. She is the author of several books, including La Cour et la ville de la littérature classique aux Lumières and Skeptical Selves: Empiricism and Modernity in the French Novel.