Russell Delphi Masterworks of Pyotr Ilyich Tchaikovsky (Illustrated)

1. Auflage 2018
ISBN: 978-1-78656-123-7
Verlag: Delphi Classics Ltd
Format: EPUB
Kopierschutz: 0 - No protection

E-Book, Englisch, Band 4, 1778 Seiten

Reihe: Delphi Great Composers

The Russian composer Pyotr Ilyich Tchaikovsky was a monumental figure of the Romantic period, whose works are among the most popular music in the classical repertoire. Celebrated for his melodic ingenuity, impressive harmonies and colourful, picturesque orchestration, Tchaikovsky's works evoke a profound emotional response. He was the first Russian composer to produce music that made a lasting impression internationally, leading the way for future generations of aspiring composers. Delphi's Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world's most famous and iconic compositions. This volume presents Tchaikovsky's masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1)
* Concise and informative overview of Tchaikovsky's masterworks
* Learn about the classical pieces that made Tchaikovsky a celebrated composer
* Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you are reading about
* Features a special 'Complete Compositions' section, with an index of Tchaikovsky's complete works and links to popular streaming services
* Also features two biographies - explore Tchaikovsky's intriguing musical and personal life
* Includes Tchaikovsky's brother seminal biography, including the composer's letters - spend hours exploring Tchaikovsky's personal correspondence
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CONTENTS:
The Masterworks
Symphony No. 1 in G minor, Op. 13
Six Romances, Op. 6
Romeo and Juliet, TH 42
String Quartet No. 1 in D Major, Op. 11
Piano Concerto No. 1 in B-Flat Minor, Op. 23
Swan Lake, Op. 20
The Seasons, Op. 37a
Symphony No. 4 in F Minor, Op. 36
12 Morceaux, Op. 40
Eugene Onegin, Op. 24
Liturgy of St. John Chrysostom, Op. 41
Violin Concerto in D Major, Op. 35
1812 Overture, Op. 49
Serenade for Strings in C Major, Op. 48
Manfred Symphony in B minor, Op. 58
Symphony No. 5 in E Minor, Op. 64
The Sleeping Beauty, Op. 66
The Nutcracker, Op. 71
Symphony No. 6 in B Minor, Op. 74
Complete Compositions
Index of Tchaikovsky's Compositions
The Biographies and Letters
The Life and Letters of Peter Ilich Tchaikovsky by Modeste Tchaikovsky
Brief Biography: Peter Ilich Tschaikovsky
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Autoren/Hrsg.

Russell, Peter

Leseproben

Part I. 1840-1861
I One of the most characteristic traits of Peter Ilich Tchaikovsky was his ironical attitude towards his family’s traditions of noble descent. He never lost an opportunity of making fun of their armorial bearings, which he regarded as “imaginary,” and clung obstinately to the plebeian origin of the Tchaikovskys. This was not merely the outcome of his democratic convictions, but had its origin, partly in the pride which lay at the very root of his nature, and partly in his excessive conscientiousness. He would not consider himself a scion of the aristocracy, because his nearest ancestors could not boast of one boyar, nor one owner of patrimonial estates. His father was the sole serf-owner in the family, and he possessed a cook with a numerous progeny — ten souls in all. But if he was unconcerned as to family descent, he was far from indifferent as to nationality. The aristocratic pretensions of his relatives aroused his mockery, but the mere suggestion of their Polish origin stirred him to instant wrath. Love of Russia and all things Russian was so deeply rooted in him that, while he cared nothing for questions of pedigree, he rejoiced to discover among his earliest ancestors on his father’s side one orthodox Russian from the district of Kremenschug. Tracing back Tchaikovsky’s pedigree, we do not find a single name connected with music. There is not one instance of a professional musician, and only three can be considered amateurs — his mother’s brother, Michael Assier; her sister Catharine, in her day a well-known amateur in Petersburg society; and the composer’s mother herself, who sang the fashionable ballads of her youth with feeling and expression. All the rest of the family — Assiers and Tchaikovskys alike — not only lacked musical talent, but were indifferent to the art. Thus it is almost impossible to ascertain from whom Peter Ilich inherited his genius, if indeed there can be any question of heredity. His one certain inheritance seems to have been an abnormally neurotic tendency, which probably came to him through his grandfather Assier, who suffered from epilepsy. If it is true, as a modern scientist asserts, that “genius” is merely an abnormal physical condition, then it is possible that Tchaikovsky may have inherited his musical gift, at the same time as his “nerves,” from the Assier family.   Little is known of the early life of the composer’s father, Ilia Petrovich Tchaikovsky. In old age he rarely spoke of his youth, and did not care to be questioned about it. Not that he had any painful memories to conceal, but it was his habit to avoid all reference to himself, and only to speak of his past when he had some amusing anecdote to relate, or when he was induced by others to recall some glad, or sorrowful, event of bygone days. Ilia Petrovich Tchaikovsky was educated at the School of Mining Engineers, which he left in 1817 at the age of twenty-two, having been awarded the distinction of a silver medal. In the same year he was appointed to an inspectorship in the Mining and Geological Department. His career cannot have been brilliant, since it took him twenty years to rise to the rank corresponding to a lieutenant-colonel. But the fact that at thirty he was already a member of the Scientific Committee of the Institute of Mining Engineers, and lectured on mining law and statistics, proves him to have been a capable and industrious member of his profession. In private life, all who knew him agreed as to his sympathetic, jovial, and straightforward character. Benevolence — or more correctly speaking, a universal affection — was one of his chief characteristics. In youth, manhood, and old age he loved his neighbour, and his faith in him remained unshaken. His trustfulness knew no limits; and even the loss of his entire fortune, due to misplaced confidence, did not avail to make him suspicious of his fellow-men. To the end of his days, everyone he met was “an excellent, honourable, good fellow.” Disillusionment cut him to the quick, but had no power to obscure his rosy views of human nature. It would be difficult to find a man who possessed so many devoted friends. Although a capable specialist, as regards general culture and intelligence Ilia Petrovich had only a mediocre equipment. He had no great taste for art and science. Music and the drama interested him most. In his youth he played the flute a little, but gave it up early in life. On September 11th (23rd), 1827, Ilia Petrovich married Maria Carlovna Keiser, by whom he had one daughter. Shortly afterwards he was left a widower and, in October, 1833, married, for a second time, Alexandra Andreievna Assier. Almost as little is known of the childhood and youth of the composer’s mother as of his father. As early as 1816 she was left motherless, and was brought up in a Female Orphanage, where she completed her education in 1829. The instruction in this school appears to have been excellent. Alexandra Andreievna had a thorough knowledge of French and German. In addition, she played the piano a little and sang nicely. A satisfactory education for a girl who had neither means nor position. Those who knew the composer’s mother describe her as tall and distinguished-looking; not precisely handsome, but with wonderfully expressive eyes. All agreed that there was something particularly attractive in her appearance. Peter Ilich recollected his mother as a tall woman, inclined to be stout, with wonderful eyes and beautiful hands, although by no means small. “Such hands do not exist nowadays, and never will again,” he used to say in after life. Alexandra Andreievna, unlike her husband, was rather reserved and chary of endearments. Her kindness, as compared to his universal amiability, seemed somewhat austere, and showed itself more frequently in act than in speech. The first child of this marriage was a daughter who died in infancy. In 1837 Ilia Tchaikovsky was appointed inspector of the mines at Kamsko-Votinsk, in the Government of Viatka, where he settled with his wife. On May 9th (21st), 1838, a son was born to them — Nicholas Ilich; while on April 28th (May 10th), 1840, a second son came into the world — Peter Ilich — the subject of this biography.   The position of manager in the case of such important mines as those of Votinsk closely resembled that of a wealthy landowner living on his estate. In some respects it was even more advantageous, because he had every luxury in life provided for him: a fine house, a staff of servants, and almost unlimited control over a number of human beings. Ilia Tchaikovsky even had at command a small army of a hundred Cossacks, and a little court, consisting of such employés in the mines as had any claim to social position. The fine salary, thanks to the wise economy of his wife, sufficed not only for every comfort, but even admitted of something being put by for less prosperous times. ILIA PETROVICH TCHAIKOVSKY, THE COMPOSER’S FATHER, IN 1860 The allowance provided for social purposes sufficed for widespread hospitality, and, owing to the affability of the host, and the characteristic charm of his wife, the Tchaikovskys’ house was the favourite resort of all the neighbouring society. This circle had nothing in common with the uncultured provincial society of those days. It was composed chiefly of young men from Saint Petersburg, holding various Government appointments in the district, and of one highly intellectual English family. The proximity of Asia and the remoteness from civilised centres were scarcely perceptible. About the period of Peter Ilich’s earliest recollections, two new members were added to the Tchaikovsky family — a girl, Alexandra, born December 28th, 1842 (January 9th, 1843), and a son, Hyppolite, born April 10th (22nd), 1844. The care of the younger children now so exclusively occupied the mother’s attention that she was obliged to engage a governess for her eldest son, Nicholas, and a niece, Lydia, who lived with the family. While on a visit to Saint Petersburg she became acquainted with Fanny Dürbach, and brought her back to Votinsk in November, 1844. In view of the lasting influence which her personality exercised upon Peter Ilich, some account of this lady should be given here. Fanny Dürbach had been specially trained as a teacher, and had already had some experience in her work. She knew French and German thoroughly, and was a strict Protestant. She is still living at Montbeillard, near Belfort, where she continues to give lessons. The poverty in which she lived impressed me still more on my visit to her in 1894, because I knew that two years earlier my brother Peter Ilich had implored her to accept a regular allowance, which she absolutely refused. “I am content with what I have,” she told him; “as far as I can be, after the heavy blows fate has dealt me, I am happy.” The expression of her face, wonderfully young for a woman of seventy-two, and the light in her large black eyes, bespoke such true peace of mind and purity of heart that I felt sure neither her physical ailments, nor the lack of luxury in her surroundings, had power to darken the light of her declining days. Although Fanny Dürbach’s connection with the Tchaikovsky family lasted only four years, her memory lives with them to-day, while all her successors have long been forgotten. She, too, had retained a vivid recollection of “the happiest time in her life,” and her account of her arrival at Votinsk gives an animated...