Buch, Englisch, 168 Seiten, Format (B × H): 199 mm x 129 mm, Gewicht: 226 g
Reihe: The Natalie Zemon Davis Annual Lectures Series - CEU Press
Renaissance Men and Material Cultures of Social Recognition
Buch, Englisch, 168 Seiten, Format (B × H): 199 mm x 129 mm, Gewicht: 226 g
Reihe: The Natalie Zemon Davis Annual Lectures Series - CEU Press
ISBN: 978-963-386-906-2
Verlag: Central European University Press
During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp.
Zielgruppe
Academic
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Biographien & Autobiographien: Historisch, Politisch, Militärisch
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
Weitere Infos & Material
List of Illustrations Preface and Acknowledgments Chapter 1. Albrecht Dürer’s Material Renaissance Chapter 2. Cloaks that Talk Chapter 3. Painting Fur and the Analysis of Style Epilogue Notes Index




